Sangeet Natak, Issues 35-38

aesthetic Amir Khusro arohana arohana and avarohana artists aspects audava audience avarohana beat Begum Akhtar Bhairava Bhatkhande biological Brecht brother century A.D. ceremony character classical music composed compositions concept considered created culture Dalada dance Delhi desiragas dhrupad Dikshitar drama drum drummers effect emotional evolution evolutionary evolved expression festival film Ga₂ gandhara gharana Ghazal gramaragas Hanuman harmonium hewisi India Indian music instruments Jairazbhoy janya raga Jataka jatis Kavikara maduwa Khan Khusrau King komal lyric Matanga mela melakarta melodic species murcchanas musical intervals musicians musicologists mutations Ni₂ notes orchestral Perahera performed Persian play poet poetry Poya present pupil puppets Rabindra Bhavan Rama Ramayana Relic rituals sacred Tooth-relic Sangeet Natak Akademi Sanskrit Sarngadeva scale shadava singers singing songs srutis style suddha swara Temple tetrachords theatre Thumri tion tonal tradition Urdu Ustad variation varja verses नाम पाठ हनुमान