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Rasa: Theatre and cinema

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Anamika Kala Sangam, 1995 - Performing arts - 728 pages

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Contents

Editorial
1
The Steps on the River Bank Eugenio Barba
13
The Indian Performer VijayaMehta
35
Copyright

14 other sections not shown

Common terms and phrases

activity actor Akademi amateur artists audience B. V. Karanth became become Bengali Bombay Calcutta centres character classical commercial contemporary context created creative critics culture dance decades Delhi directed directors discourse Doordarshan dramatists Durga Dutt English entertainment experience film festivals film industry film maker Film Society filmmakers forms Gujarati Guru Dutt Hindi Hindi theatre identity important India Indian cinema Indian films Indian theatre institution Kannada Karanth Kathakali Kerala Kumar language mainstream Manipur Marathi cinema Marathi film modern movement Mrinal Sen muslims Natak National Natya Ninasam Oriya Pather Panchali performance plays playwrights political popular production professional proscenium Punjabi Punjabi theatre Raj Kapoor Ray's regional ritual Ritwik Ghatak role Sanskrit Satyajit Ray scene School of Drama scripts Sircar social songs stage star story studio style Tamil television Telugu theatre groups theatrical themes traditional troupe urban Urdu viewer Western Yakshagana

Bibliographic information

QR code for Rasa: Theatre and cinema
TitleRasa: Theatre and cinema
Volume 2 of Rasa: The Indian Performing Arts in the Last Twenty-five Years, Rasa: The Indian Performing Arts in the Last Twenty-five Years
AuthorsBimal Mukherjee, Sunil Kothari, Ananda Lal, Chidananda Das Gupta
ContributorAnamika Kala Sangam (Calcutta, India)
PublisherAnamika Kala Sangam, 1995
Original fromthe University of Michigan
Digitized21 May 2008
Length728 pages
  
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