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Chapter One PROPOSITION 1 32
Chapter Two THE PLACE OF ART IN LIFE
Chapter Three USE AIM AND FUNCTION
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Abhinavagupta according Aitareya Brahmana Ajanta Anandavardhana Aranyakas architecture argued art activity art experience art object articulation artist Brahmanical Buddha Buddhist called century a.d. chaitya chhandas colour communities concept concrete consciousness Coomaraswamy creative cult culture dance dhvani discipline drama early Indian emotional mood emotions essence of art fact or situation figured objects gods and goddesses harmony hence human icons ideas images imagination Indian art Indian tradition individual instance intellectual Jain Jainism Kalidasa knowledge literature matter meaning medieval mind moksha mood or feeling Mughal painting myths and legends nature and character object of art one's perhaps plastic arts poetry principles purpose qualities rasa recognized referred regard reliefs religion religious rhythm rupa Sanskrit Sarnath sculpture and painting seems senses senses and sensibilities significant Silpa social society speaking spiritual symbols texts things tion traditional Indian art treatises Upanishads Vishnudharmottaram vision visual arts vrddhi words