An Exploration of Musical Timbre Using Computer-based Techniques for Analysis, Synthesis and Perceptual Scaling |
Contents
B Verbal Measurements of Timbre | 7 |
Synthesis of Timbre and Perceptually Important Features | 13 |
B Problems which Occur in Timbre Research | 24 |
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16 instrument notes 16 tones acoustical additive synthesis algorithm amplitude amplitude and frequency analysis-based additive synthesis analysis-synthesis attack segment average bassoon Carroll and Chang categorical boundary categorical perception clarinet clustering analysis complex tones configuration cross-over points cues data reduction dimensions display distance estimations domain English horn equalization Experiment Figure formant French horn frequency functions fundamental frequency grid harmonics heterodyne filter high-frequency identification INDSCAL inharmonic Instrument family interpolated tones interpolation algorithm isolated tones loudness and duration matrices measurements midpoints multidimensional scaling musical instrument tones naturalistic tones oboe original tone pairs of tones perceived percent steps perception of timbre perspective plot phase phase pattern physical properties pitch Plomp present psychological distance psychophysical respect Section set of stimuli similarity matrices simplified sinusoids sounds spatial spectral energy distribution steady-state subset temporal three-dimensional timbral timbre perception timbre research timbre space tonal conditions transition trials waveform Y-axis