Dance of Life: Popular Music and Politics in Southeast AsiaThe rock era is over, according to one pop music expert. Another laments that rock music is "metamorphosed into the musical wallpaper of ten thousand lifts, hotel foyers, shopping centers, airport lounges, and television advertisements that await us in the 1990s." |
Contents
II | 1 |
III | 2 |
IV | 10 |
V | 17 |
VI | 22 |
VII | 27 |
VIII | 41 |
IX | 49 |
XXXIII | 162 |
XXXIV | 163 |
XXXV | 167 |
XXXVI | 171 |
XXXVII | 178 |
XXXVIII | 183 |
XXXIX | 192 |
XL | 199 |
X | 53 |
XI | 54 |
XII | 55 |
XIII | 60 |
XIV | 69 |
XV | 74 |
XVI | 83 |
XVII | 87 |
XVIII | 91 |
XIX | 94 |
XX | 105 |
XXI | 112 |
XXII | 114 |
XXIV | 115 |
XXV | 121 |
XXVI | 125 |
XXVII | 129 |
XXVIII | 140 |
XXIX | 144 |
XXX | 146 |
XXXI | 151 |
XXXII | 160 |
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Common terms and phrases
Aguilar album American artists Asian Asiaweek audience Bangkok Bangsawan became Broughton cassette Chinese Cinema cities commercial Contemporary criticism dance dangdut Democracy developed dominant early Eastern Economic Review elite entertainment ethnic Ethnomusicology example Filipino films gamelan genre Global groups Hence History identity Indian Indonesia influence Islamic Jaipongan Jakarta Japanese Java Kartomi kroncong Kuala Lumpur liner notes Literature Lockard luktoong major Malay Malaysia Manila Manuel Marcos mass media modern musicians nationalist Neher Pasuk and Baker percent performances Philippines Pinoy Pinoy Rock played political pop music popular culture Popular Music produced protest Quoted radio Ramlee reflected reggae regional Revolution Rhoma Irama rock music role rural Singapore singers singing social society socioeconomic sociopolitical songs sound Southeast Asia Southeast Asian Studies stars student styles superstar Tasker television Thai Thailand Theatre themes Traditional Music Ubonrat University Press urban village wayang Western World Music York youth