Fashion as CommunicationWhat kinds of things do fashion and clothing say about us? What does it mean to wear Gap or Gaultier, Milletts or Moschino? Are there any real differences between Hip-Hop style and Punk anti-styles? In this fully revised and updated edition, Malcolm Barnard introduces fashion and clothing as ways of communicating and challenging class, gender, sexual and social identities. Drawing on a range of theoretical approaches from Barthes and Baudrillard to Marxist, psychoanalytic and feminist theory, Barnard addresses the ambivalent status of fashion in contemporary culture. |
Contents
INTRODUCTION | 1 |
FASHION CLOTHING COMMUNICATION | 27 |
THE FUNCTIONS OF FASHION AND CLOTHING | 49 |
FASHION CLOTHING AND MEANING | 72 |
FASHION CLOTHING AND THE REPRODUCTION | 102 |
FASHION CLOTHING AND SOCIAL REVOLUTION | 127 |
FASHION CLOTHING AND POSTMODERNITY | 156 |
CONCLUSION | 187 |
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Common terms and phrases
adornment ambivalence anti-fashion appear argued Barthes Baudrillard Braudel bricolage bricoleur capitalist challenge chapter claim class and gender clearly Coats plc collar colours communication conception concerned connotation considered conspicuous leisure constituted construct corsets Davis denotation ensemble essay example exist explained fashion and clothing fashion and dress Faurschou female femininity Flügel function garments gender identities idea ideology intertextually items of fashion Jameson jeans kinderwhore look magazines male Marx masculine means of fashion modernity modesty natural notion object paradigmatic difference Partington pastiche Polhemus and Procter postmodernity punk refers relations Roach and Eicher role Rouse Sawchuk says scopophilia seen semiology sense sexual shirt signal and reproduce signified signs Simmel simply social class social order society sort status stiletto stiletto heel styles suggests syntagmatic things tion Tommy Hilfiger trousers undecidable values Veblen Vivienne Westwood wearer wearing Wilson women word worn Yves Saint Laurent


