Ideology of the Hindi Film: A Historical ConstructionThe study treats the Hindi film as a social institution which is a reflection of current social and political formations and analyzes the role, function and ideology of Indian cinema. |
Contents
The Ideology of Formal Subsumption | 1 |
PART I | 23 |
Political Structure | 52 |
Copyright | |
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Common terms and phrases
aesthetic Amitabh Bachchan Anand Ankur Archive of India audience Benegal Bhuvan Shome Bombay Bombay film bourgeois capitalist commercial cinema conflict context couple Courtesy National Film cultural Damini darsanic Deewar dominant economic emergence feudal feudal family romance figure film industry film text film-makers Filmfare function genre Guddi hero Hindi cinema Hindi film Hollywood Hrishikesh Mukherjee ibid ideology Indian cinema Indian film Indira Gandhi institution Kumar Manthan melodrama metalanguage middle-class cinema mobilization mode of production modern narrative nation-state National Film Archive Navin Nishant object peasant political political cinema popular cinema popular film position prohibition Pune question Raj Kapoor Rajendra Kumar Rajnigandha Ravi realist relation representation represented resolution Roja role Salim-Javed Sara Akash scene screen segment sexual Sholay significant social song space spectacle spectator star structure textual theatre traditional transformation University Press Vijay village voyeurism voyeuristic woman Zanjeer