Patrons and Philistines: Arts and the State in British India, 1773-1947When through design and circumstance the British found themselves in possession of large parts of India, they had little idea of its arts and civilization, let alone any obvious interest in doing anything to promote or preserve Indian culture. Yet, by the time the British flag was lowered, the state had accepted some responsibility for the arts, which was extensive in some respects. Though India does not, as yet, have a comprehensive arts policy, there is an accepted and serious state commitment to the arts, the result of an evolution of ideas and actions over a period of time. The book traces this evolution from 1773, with the establishment of British rule in Bengal, to 1947, when power was handed over to an indigenous government. What motivated a non-indigenous government to intervene in the arts and for what aim? What and who influenced the state and shaped its policies? What were these policies and how were the choices made? How were they implemented? What was the effect on the arts? What legacy did the British government in India leave for its successor? These are some of the questions the book attempts to answer. |
Contents
Introduction | 1 |
Setting the Stage | 15 |
Renaissance and Regulation | 37 |
Copyright | |
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aesthetic ancient antiquities architects art policy Art Schools artisan Asiatic Society became Bengal Birdwood Bombay British rule buildings Calcutta classical music collections conservation contemporary Coomaraswamy Court crafts craftsmen Curzon dance decorative arts Delhi Despatch Devadasi drama E. B. Havell élite Emma Roberts encourage England English education established European exhibitions favour Government of India Guha Thakurta heritage Hindu Ibid imperial Indian architecture Indian art Indian artists Indian culture Indian Museum Indian music Indian Newspaper Reports Indian Painting Indian society indigenous industrial arts institutions interest Journal Kalighat Kapila Vatsyayan languages London Lord Lucknow Madras Maharashtra Marathi ment Mitter monuments moral Mughal nationalist native nautch nineteenth century official Oriental Orientalists patronage patrons performance plays political preservation princely promotion provinces religious renaissance Resolution responsibility revival Roorki rulers Sanskrit scholars School of Art sculpture social style taste temple theatre tion traditional Urdu vernacular literature Western