Contemporary Studio PorcelainPorcelain is prized for its vivid whiteness, but it has always posed particular problems for the ceramicist using it. In Contemporary Studio Porcelain, Peter Lane provides a strong history and celebration of the development of porcelain at the turn of the new millennium. He gives particular consideration to the technical achievements, working practices, and aesthetic concerns of ceramicists who work with this most popular medium and its close relative, bone china. |
Contents
Acknowledgements | |
ONE Qualities and properties of porcelain and bone china | |
TWO Form and forming processes | |
THREE Sources of inspiration and means of expression | |
FOUR Surface treatments | |
Neriage nerikomi and inlaid techniques 190 | |
FIVE Porcelain multiples and installations | |
SIX Glazes for porcelain | |
In search of Egypts | 43 |
How the olive tree | 50 |
The Greek text that | 60 |
built with | 66 |
Roman gladiators did | 75 |
a writer | 82 |
The vanishing first | 88 |
the man | 94 |
SEVEN Conclusion | |
Appendices Glossary of ceramic terms | |
Origins | 9 |
People are missing | 16 |
The truth to be found | 22 |
The first Americans | 28 |
Preaboriginal | 34 |
The real reason | 121 |
What the stars tell | 128 |
A new perspective | 134 |
The comical farce | 140 |
murder | 146 |
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Contemporary Studio Porcelain: Materials, Techniques and Expressions Peter Lane No preview available - 2019 |