The Dark Room
"There are writers—Tolstoy and Henry James to name two—whom we hold in awe, writers—Turgenev and Chekhov—for whom we feel a personal affection, other writers whom we respect—Conrad for example—but who hold us at a long arm's length with their 'courtly foreign grace.' Narayan (whom I don't hesitate to name in such a context) more than any of them wakes in me a spring of gratitude, for he has offered me a second home. Without him I could never have known what it is like to be Indian."—Graham Greene
Offering rare insight into the complexities of Indian middle-class society, R. K. Narayan traces life in the fictional town of Malgudi. The Dark Room is a searching look at a difficult marriage and a woman who eventually rebels against the demands of being a good and obedient wife. In Mr. Sampath, a newspaper man tries to keep his paper afloat in the face of social and economic changes sweeping India. Narayan writes of youth and young adulthood in the semiautobiographical Swami and Friends and The Bachelor of Arts. Although the ordinary tensions of maturing are heightened by the particular circumstances of pre-partition India, Narayan provides a universal vision of childhood, early love and grief.
"The experience of reading one of his novels is . . . comparable to one's first reaction to the great Russian novels: the fresh realization of the common humanity of all peoples, underlain by a simultaneous sense of strangeness—like one's own reflection seen in a green twilight."—Margaret Parton, New York Herald Tribune
What people are saying - Write a review
Other editions - View all
afraid afternoon Andre Malraux anna Babu bench brinjals brought Chandru coconut cook curd dark room dinner dolls door Electric office eyes Father film Gabriel Fielding Gangu girl give gone hair hall hands Head Office hour husband Janamma Kamala asked Kantaiengar keep kitchen lady laughed leave light lock madam Malgudi Mangalore Margaret Laurence Marguerite Yourcenar Mari master mind morning Mother Navaratri never night o'clock once one's pavilion Pereira Perhaps picture Ponni R. K. Narayan Ramani looked Ranga river round rupees saree Savitri asked Savitri felt Shanta Bai shouted shrine silent sister sitting sleep South Extension stay stood street Sukkur switch Talapur talk tell temple thing Thomas Bernhard thought threw tiffin told tomorrow tonight took town umbrellas utter wait walked wife woman