Metonymy in Contemporary Art: A New Paradigm |
Contents
| 6 | |
| 8 | |
Referencing Aboriginal Vision | 16 |
chapter 2 A Critique of Walter Benjamin from a Globalist Perspective | 32 |
chapter 3 The Impact of Joseph Beuys | 44 |
My Aesthetic in the 1970s | 50 |
On Mark Rothko | 64 |
Asia and its Influence The Indian Experience | 74 |
Developing an Aesthetic for the 1990s | 92 |
Interviews with Alex Katz Frank Stella Dorothea Rockburne and Barry Le Va | 100 |
11 September 2001 | 126 |
| 133 | |
| 134 | |
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Common terms and phrases
Aboriginal art Aboriginal artists abstract Adalaj aesthetic Alan Roland Alex Katz Alternative Paradigm archetypal art world Asian aura Australia Barry Le Va became black and white Brice Marden Chapter Clement Greenberg's Writings Collection colour Contemporary Art context conveyed critical Critique of Walter Denise Green develop Dorothea Rockburne drawing elements emotional energy essay experience feelings forms Frank Stella function Gallery global Globalist Perspective Greenberg Groote Eylandt happened idea imagery Indian influenced Ink on paper inner intuitive Joel Shapiro Joseph Beuys Kathakali Kathakali Dancer kind landscape Limitations of Clement looking manifestation Mark Rothko meaning mechanically reproduced metonymic process metonymic thinking Metonymy in Contemporary Morna Livingstone Museum Nicholas Walster objects Oil on canvas Painterly Thought painters Photograph Ramanujan realized reference Referencing Aboriginal Vision Rights Society ritual Robert Motherwell sacred sculptures shapes space spiritual stepwells studio symbolic things tradition Unconscious understanding viewer Walter Benjamin York