Hazlitt on English Literature: An Introduction to the Appreciation of Literature |
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Page xxiii
... Hackney he showed sufficient self - reliance to develop an original " Essay on Laws . " The " Table Talk , " Why Distant Objects Please . " " Love of Power , " XI , 268 . defence of the popular cause was with him not an INTRODUCTION xxiii.
... Hackney he showed sufficient self - reliance to develop an original " Essay on Laws . " The " Table Talk , " Why Distant Objects Please . " " Love of Power , " XI , 268 . defence of the popular cause was with him not an INTRODUCTION xxiii.
Page xli
... object of taste ' must be that , not which does , but which would please universally , supposing all men to have paid an equal attention to any subject and to have an equal relish for it , which can only be guessed at by the imperfect ...
... object of taste ' must be that , not which does , but which would please universally , supposing all men to have paid an equal attention to any subject and to have an equal relish for it , which can only be guessed at by the imperfect ...
Page li
... object takes such a hold of the mind as to make us dwell upon it , and brood over it , melting the heart in ... objects into accord with it , and to give the same movement of harmony , sustained and continuous , or gradually varied ...
... object takes such a hold of the mind as to make us dwell upon it , and brood over it , melting the heart in ... objects into accord with it , and to give the same movement of harmony , sustained and continuous , or gradually varied ...
Page lv
... finest pieces of poetry in Shakspeare . The splendour of the imagery , the sem- blance of reality , the lofty range of picturesque objects " Poetry , " XII , 339 . • hanging over the world , their evanescent nature , INTRODUCTION lv.
... finest pieces of poetry in Shakspeare . The splendour of the imagery , the sem- blance of reality , the lofty range of picturesque objects " Poetry , " XII , 339 . • hanging over the world , their evanescent nature , INTRODUCTION lv.
Page lxii
... object , make thorough - stitch work of any question , or join hand and heart with any principle . He changes his opinions as he does his friends , and much on the same account . He has no comfort in fixed principles : as soon as ...
... object , make thorough - stitch work of any question , or join hand and heart with any principle . He changes his opinions as he does his friends , and much on the same account . He has no comfort in fixed principles : as soon as ...
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Common terms and phrases
admiration affectation Age of Elizabeth appeared beauty Burke character Chaucer Coleridge Coleridge's comedy conversation criticism CYMBELINE delight dream Edinburgh Review English essay expression Faerie Queene Falstaff fancy feeling French genius give Hamlet hates Hazlitt heart heaven Henry human humour Ibid idea imagination John Johnson Julius Cæsar Lamb Lamb's lecture Letter literary living look Lord Byron Macbeth manner Midsummer Night's Dream Milton mind moral Muse nature never novel object observation opinion Othello painter Paradise Lost passage passion person philosopher play pleasure poem poet poetical poetry Pope prose reason romance scene seems sense sentiment Shakspeare Shakspeare's shew sound Southey Spenser spirit story style sweet Table Talk taste Tatler things thou thought tion Tom Jones tragedy translation Troilus and Cressida truth verse William Godwin words Wordsworth writings youth
Popular passages
Page 113 - Almighty hath not built Here for his envy, will not drive us hence: Here we may reign secure, and, in my choice, To reign is worth ambition, though in hell: Better to reign in hell, than serve in heaven.
Page 231 - Here lies our good Edmund, whose genius was such, We scarcely can praise it, or blame it too much; Who, born for the universe, narrow'd his mind, And to party gave up what was meant for mankind.
Page 190 - ... the cloud-capt towers, the solemn temples, the gorgeous palaces,'' are swept to the ground, and " like the baseless fabric of a vision, leave not a wreck behind.
Page 127 - He draweth out the thread of his verbosity finer than the staple of his argument.
Page 124 - Tis with our judgments as our watches, none Go just alike, yet each believes his own.
Page 262 - Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma, or a hideous dream : The genius, and the mortal instruments, Are then in council; and the state of man, Like to a little kingdom, suffers then The nature of an insurrection.
Page 111 - What though the field be lost? All is not lost; the unconquerable will, And study of revenge, immortal hate, And courage never to submit or yield: And what is else not to be overcome?
Page 15 - Your face, my thane, is as a book, where men May read strange matters : — To beguile the time, Look like the time; bear welcome in your eye, Your hand, your tongue: look like the innocent flower, But be the serpent under it.
Page 130 - ... In the worst inn's worst room, with mat half -hung, The floors of plaster, and the walls of dung, On once a flock-bed, but repaired with straw, With tape-tied curtains never meant to draw, The George and Garter dangling from that bed Where tawdry yellow strove with dirty red, Great Villiers lies — alas ! how changed from him, That life of pleasure, and that soul of whim ! Gallant and gay, in Cliveden's proud alcove, The bower of wanton Shrewsbury and love ; Or just as gay at council, in a ring...
Page 70 - I have lived long enough : my way of life Is fall'n into the sear, the yellow leaf ; And that which should accompany old age, As honour, love, obedience, troops of friends, I must not look to have ; but, in their stead, Curses, not loud but deep, mouth-honour, breath, Which the poor heart would fain deny, and dare not.