Art and Visual Perception: A Psychology of the Creative EyeSince its first publication in 1954, this work has established itself as a unique classic. It applies the approaches and findings of modern psychology to the study of art: it describes the visual process that takes place when people create- or look at- works in the various arts, and explains how the eye organizes visual material according to definite psychological laws. Fresh in thought, clean in style, this book is a highly readable contribution to the study of aesthetics. It could be recommended as an excellent introduction to the psychology of perception, however, it is the art lover, whether psychologist or not, who will find this book the most rewarding. -- from Book Jacket. |
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Page 93
... complete . " At which Gris , flying into a rage , shouted in reply : “ Complete ? Don't you see that I have not finished the moustache yet ? " To him the picture evi- dently contained the image of a man so clearly that he expected ...
... complete . " At which Gris , flying into a rage , shouted in reply : “ Complete ? Don't you see that I have not finished the moustache yet ? " To him the picture evi- dently contained the image of a man so clearly that he expected ...
Page 111
... complete ; and ( 3 ) simple , regular form becomes more and more complex . The amount and kind of representation ornament carries is dependent on the function of the object it serves . The simple form of a refrigerator , which is ...
... complete ; and ( 3 ) simple , regular form becomes more and more complex . The amount and kind of representation ornament carries is dependent on the function of the object it serves . The simple form of a refrigerator , which is ...
Page 127
... complete in all its detail and distorted in size and shape by perspective , so the subjective percept of the table was assumed to be mechanically complete and perspectively deformed . This theory encountered puzzling contradictions in ...
... complete in all its detail and distorted in size and shape by perspective , so the subjective percept of the table was assumed to be mechanically complete and perspectively deformed . This theory encountered puzzling contradictions in ...
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angle appear artist balance baroque blue body brightness Cézanne child circle color complementary colors complete composition contour convergence created cube cubists dancer dark depth deviation dimension direction disk distance distortion drawing dynamic effect elements example experience expression face fact factors figure-ground forces front frontal plane geometric ground horizontal hues human figure kinesthetic light look Matisse means medium Meyer Schapiro motion move movement nature object oblique observer organization orientation over-all overlapping painter painting pattern pattern of forces perceived perceptual phenomenon physical pictorial picture principle produce projection psychological psychologists rectangle Rembrandt representation represented result retinal Rorschach sculpture seems seen shadow shape similar simple simpler simplest simplicity space spatial square stage stimulus stroboscopic structure surface symmetry tension theory things three-dimensional tilted tion triangle two-dimensional units vanishing point vertical vision visual concept visual field visual perception whereas whole yellow