Art and Visual Perception: A Psychology of the Creative EyeSince its first publication in 1954, this work has established itself as a unique classic. It applies the approaches and findings of modern psychology to the study of art: it describes the visual process that takes place when people create- or look at- works in the various arts, and explains how the eye organizes visual material according to definite psychological laws. Fresh in thought, clean in style, this book is a highly readable contribution to the study of aesthetics. It could be recommended as an excellent introduction to the psychology of perception, however, it is the art lover, whether psychologist or not, who will find this book the most rewarding. -- from Book Jacket. |
From inside the book
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Page 77
... front , there is nothing in the perceived square to show that it is part of a cubic body . Therefore such a projection is not suitable to represent the three - dimensional structure of the cube . According to a rule in perception ...
... front , there is nothing in the perceived square to show that it is part of a cubic body . Therefore such a projection is not suitable to represent the three - dimensional structure of the cube . According to a rule in perception ...
Page 175
... front and back and the two profiles . Finally , the sculptor can concentrate at any particular moment upon a relatively closed partial composition , which he can survey without changing his point of observation . He may work first on ...
... front and back and the two profiles . Finally , the sculptor can concentrate at any particular moment upon a relatively closed partial composition , which he can survey without changing his point of observation . He may work first on ...
Page 386
... front than circles , par- ticularly when the squares were in normal , vertical - horizontal orientation . Larger figures were seen in front more often than smaller ones . Figures in central position seemed to lie in front more readily ...
... front than circles , par- ticularly when the squares were in normal , vertical - horizontal orientation . Larger figures were seen in front more often than smaller ones . Figures in central position seemed to lie in front more readily ...
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Common terms and phrases
angle appear artist balance baroque blue body brightness Cézanne child circle color complementary colors complete composition contour convergence created cube cubists dancer dark depth deviation dimension direction disk distance distortion drawing dynamic effect elements example experience expression face fact factors figure-ground forces front frontal plane geometric ground horizontal hues human figure kinesthetic light look Matisse means medium Meyer Schapiro motion move movement nature object oblique observer organization orientation over-all overlapping painter painting pattern pattern of forces perceived perceptual phenomenon physical pictorial picture principle produce projection psychological psychologists rectangle Rembrandt representation represented result retinal Rorschach sculpture seems seen shadow shape similar simple simpler simplest simplicity space spatial square stage stimulus stroboscopic structure surface symmetry tension theory things three-dimensional tilted tion triangle two-dimensional units vanishing point vertical vision visual concept visual field visual perception whereas whole yellow