The Living Dead: A Study of the Vampire in Romantic LiteratureIn his Preface to The Living Dead: A Study of the Vampire in Romantic Literature, James Twitchell writes that he is not interested in the current generation of vampires, which he finds "rude, boring and hopelessly adolescent. However, they have not always been this way. In fact, a century ago they were often quite sophisticated, used by artists varied as Blake, Poe, Coleridge, the Brontes, Shelley, and Keats, to explain aspects of interpersonal relations. However vulgar the vampire has since become, it is important to remember that along with the Frankenstein monster, the vampire is one of the major mythic figures bequeathed to us by the English Romantics. Simply in terms of cultural influence and currency, the vampire is far more important than any other nineteenth-century archetypes; in fact, he is probably the most enduring and prolific mythic figure we have. This book traces the vampire out of folklore into serious art until he stabilizes early in this century into the character we all too easily recognize. - Book Jacket. |
From inside the book
Results 1-3 of 11
Page 163
I think a case can be made that Wordsworth intended to write a vampire poem , with the Leech Gatherer as the central character . Important here is the fact that Wordsworth originally entitled the poem The Leech Gatherer , but changed it ...
I think a case can be made that Wordsworth intended to write a vampire poem , with the Leech Gatherer as the central character . Important here is the fact that Wordsworth originally entitled the poem The Leech Gatherer , but changed it ...
Page 164
and again he is transported as the Leech Gatherer smiles and says simply that he gathers leeches . Abruptly the poet concludes : While he was talking thus , the lonely place , The old Man's shape , and speech - all troubled me : In my ...
and again he is transported as the Leech Gatherer smiles and says simply that he gathers leeches . Abruptly the poet concludes : While he was talking thus , the lonely place , The old Man's shape , and speech - all troubled me : In my ...
Page 165
The one thing that Wordsworth did not want was for us to assume that the Leech Gatherer was a demonic fiend , and so he also cut these lines that follow the poet's first question about occupation : “ He answer'd me with pleasure and ...
The one thing that Wordsworth did not want was for us to assume that the Leech Gatherer was a demonic fiend , and so he also cut these lines that follow the poet's first question about occupation : “ He answer'd me with pleasure and ...
What people are saying - Write a review
We haven't found any reviews in the usual places.
Contents
The Female Vampire | 39 |
The Male Vampire in Poetry | 74 |
The Vampire in Prose | 103 |
Copyright | |
2 other sections not shown
Other editions - View all
The Living Dead: A Study of the Vampire in Romantic Literature James B. Twitchell Limited preview - 1981 |
The Living Dead: A Study of the Vampire in Romantic Literature James B. Twitchell,Twitchell No preview available - 2014 |
Common terms and phrases
actual Ancient Mariner appears artist attack attempts Aubrey became become believe Belle blood body Byron called Cenci central century character Christabel claims Coleridge continues critics dark dead death demon described destroy Dorian Dracula dream energy English evil explain eyes fact feel female fiction figure finally force Gatherer Geraldine Gothic hand happened Heathcliff House human important interesting James Jane John Keats lamia later Lawrence least leave Leech literary literature living London look lover male means metaphor myth narrator nature never night novel once perhaps Poe's poem poet Polidori Press psychological reading realizes relationship Romantic Sacred Fount says scene seems sense Shelley simply soon spirit story strange Studies sure tell things thought told turn understand University vampire Varney victim wanted Wedding woman Women York young