The Living Dead: A Study of the Vampire in Romantic LiteratureIn his Preface to The Living Dead: A Study of the Vampire in Romantic Literature, James Twitchell writes that he is not interested in the current generation of vampires, which he finds "rude, boring and hopelessly adolescent. However, they have not always been this way. In fact, a century ago they were often quite sophisticated, used by artists varied as Blake, Poe, Coleridge, the Brontes, Shelley, and Keats, to explain aspects of interpersonal relations. However vulgar the vampire has since become, it is important to remember that along with the Frankenstein monster, the vampire is one of the major mythic figures bequeathed to us by the English Romantics. Simply in terms of cultural influence and currency, the vampire is far more important than any other nineteenth-century archetypes; in fact, he is probably the most enduring and prolific mythic figure we have. This book traces the vampire out of folklore into serious art until he stabilizes early in this century into the character we all too easily recognize. - Book Jacket. |
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Page 117
7a d 7S , cal his nto ild a still continues today , with Mary Visick calling Heathcliff “ a skinflint and a bully , ” but the old venom has somehow disappeared . 19 The second generation of critics saw Heathcliff not in black but in ...
7a d 7S , cal his nto ild a still continues today , with Mary Visick calling Heathcliff “ a skinflint and a bully , ” but the old venom has somehow disappeared . 19 The second generation of critics saw Heathcliff not in black but in ...
Page 119
f od os . nge ver ch , ting 1 , as tent vou a of his en , as ndow Admittedly Nelly is prejudicial in retrospect , but again and again Heathcliff is referred to by the other characters as an “ imp of Satan ” ( p .
f od os . nge ver ch , ting 1 , as tent vou a of his en , as ndow Admittedly Nelly is prejudicial in retrospect , but again and again Heathcliff is referred to by the other characters as an “ imp of Satan ” ( p .
Page 121
According to her , after his midnight revels , Heathcliff returned home and found the door locked . Isabella describes seeing him through the open casement : “ His hair and clothes were whitened with snow , and his sharp cannibal teeth ...
According to her , after his midnight revels , Heathcliff returned home and found the door locked . Isabella describes seeing him through the open casement : “ His hair and clothes were whitened with snow , and his sharp cannibal teeth ...
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Contents
The Female Vampire | 39 |
The Male Vampire in Poetry | 74 |
The Vampire in Prose | 103 |
Copyright | |
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Other editions - View all
The Living Dead: A Study of the Vampire in Romantic Literature James B. Twitchell Limited preview - 1981 |
The Living Dead: A Study of the Vampire in Romantic Literature James B. Twitchell,Twitchell No preview available - 2014 |
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