The Living Dead: A Study of the Vampire in Romantic LiteratureIn his Preface to The Living Dead: A Study of the Vampire in Romantic Literature, James Twitchell writes that he is not interested in the current generation of vampires, which he finds "rude, boring and hopelessly adolescent. However, they have not always been this way. In fact, a century ago they were often quite sophisticated, used by artists varied as Blake, Poe, Coleridge, the Brontes, Shelley, and Keats, to explain aspects of interpersonal relations. However vulgar the vampire has since become, it is important to remember that along with the Frankenstein monster, the vampire is one of the major mythic figures bequeathed to us by the English Romantics. Simply in terms of cultural influence and currency, the vampire is far more important than any other nineteenth-century archetypes; in fact, he is probably the most enduring and prolific mythic figure we have. This book traces the vampire out of folklore into serious art until he stabilizes early in this century into the character we all too easily recognize. - Book Jacket. |
From inside the book
Results 1-3 of 24
Page 194
... Lawrence wrote after the publication of The Rainbow and during the revisions of Women in Love.5 First Lawrence explains the psychology of human interaction : The central law of organic life is that each organism is intrinsically isolate ...
... Lawrence wrote after the publication of The Rainbow and during the revisions of Women in Love.5 First Lawrence explains the psychology of human interaction : The central law of organic life is that each organism is intrinsically isolate ...
Page 201
... Lawrence's final version , for this chapter never made it to print . It is understandable why Lawrence excised this " Prologue , " for the rhapsodic descriptions of homosexuality are maud- lin and unsubstantiated , and Birkin is such a ...
... Lawrence's final version , for this chapter never made it to print . It is understandable why Lawrence excised this " Prologue , " for the rhapsodic descriptions of homosexuality are maud- lin and unsubstantiated , and Birkin is such a ...
Page 205
... Lawrence's fiction from here on . As Charles Rossman has noted , Women in Love is a decisive turning point in Lawrence's treatment of character , for in it he makes a transition from strong women who destroy men to positive men who ...
... Lawrence's fiction from here on . As Charles Rossman has noted , Women in Love is a decisive turning point in Lawrence's treatment of character , for in it he makes a transition from strong women who destroy men to positive men who ...
Contents
The Female Vampire | 39 |
The Male Vampire in Poetry | 74 |
The Vampire in Prose | 103 |
Copyright | |
2 other sections not shown
Other editions - View all
The Living Dead: A Study of the Vampire in Romantic Literature James B. Twitchell Limited preview - 1981 |
The Living Dead: A Study of the Vampire in Romantic Literature James B. Twitchell,Twitchell No preview available - 2014 |
Common terms and phrases
actual Ancient Mariner appears artist attack attempts Aubrey became become believe Belle Bertha blood body Byron called Cenci central century character Christabel claims Coleridge Coleridge's continues critics dark dead death demon described destroy Dorian Dracula dream energy English evil explain eyes fact feel female fiction figure finally force Gatherer Geraldine Gothic hand happened Heathcliff House human important interesting James Jane John Keats lamia later Lawrence least leave Leech literary literature living London look lover male means metaphor myth narrator nature never night novel once perhaps Poe's poem poet Polidori Press reading realizes relationship Romantic Sacred Fount says scene seems sense Shelley simply soon spirit story strange Studies sure tell things thought told turn understand University vampire Varney victim wanted Wedding woman Women York young