The Living Dead: A Study of the Vampire in Romantic LiteratureIn his Preface to The Living Dead: A Study of the Vampire in Romantic Literature, James Twitchell writes that he is not interested in the current generation of vampires, which he finds "rude, boring and hopelessly adolescent. However, they have not always been this way. In fact, a century ago they were often quite sophisticated, used by artists varied as Blake, Poe, Coleridge, the Brontes, Shelley, and Keats, to explain aspects of interpersonal relations. However vulgar the vampire has since become, it is important to remember that along with the Frankenstein monster, the vampire is one of the major mythic figures bequeathed to us by the English Romantics. Simply in terms of cultural influence and currency, the vampire is far more important than any other nineteenth-century archetypes; in fact, he is probably the most enduring and prolific mythic figure we have. This book traces the vampire out of folklore into serious art until he stabilizes early in this century into the character we all too easily recognize. - Book Jacket. |
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Page 144
Thex key word here is , of course , “ properly , ” for in some of the Romantic versions such as The Picture of Dorian Gray or The Sacred Fount , creation goes awry , and energies become wildly destructive .
Thex key word here is , of course , “ properly , ” for in some of the Romantic versions such as The Picture of Dorian Gray or The Sacred Fount , creation goes awry , and energies become wildly destructive .
Page 181
As quoted in Sidney Finklestein , “ The Mystery of Henry James's The Sacred Fount , ” Massachusetts Review 3 ( 1962 ) : 753 . 68. Rebecca West , Henry James ( London : Nisbet & Co. , 1916 ) , pp . 107–8 . 69.
As quoted in Sidney Finklestein , “ The Mystery of Henry James's The Sacred Fount , ” Massachusetts Review 3 ( 1962 ) : 753 . 68. Rebecca West , Henry James ( London : Nisbet & Co. , 1916 ) , pp . 107–8 . 69.
Page 182
The narrator in The Sacred Fount is like the artists in Hawthorne's fiction who pry into the secrets of their characters and thereby run the risk of destroying them for the sake of " truth . " James never questions the narrator's theory ...
The narrator in The Sacred Fount is like the artists in Hawthorne's fiction who pry into the secrets of their characters and thereby run the risk of destroying them for the sake of " truth . " James never questions the narrator's theory ...
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Contents
The Female Vampire | 39 |
The Male Vampire in Poetry | 74 |
The Vampire in Prose | 103 |
Copyright | |
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The Living Dead: A Study of the Vampire in Romantic Literature James B. Twitchell Limited preview - 1981 |
The Living Dead: A Study of the Vampire in Romantic Literature James B. Twitchell,Twitchell No preview available - 2014 |
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Bibliographic information
| Title | The Living Dead: A Study of the Vampire in Romantic Literature |
| Author | James B. Twitchell |
| Edition | illustrated |
| Publisher | Duke University Press, 1981 |
| Original from | the University of Michigan |
| Digitized | 29 Feb 2008 |
| ISBN | 0822304384, 9780822304388 |
| Length | 219 pages |
| Export Citation | BiBTeX EndNote RefMan |