The Living Dead: A Study of the Vampire in Romantic LiteratureIn his Preface to The Living Dead: A Study of the Vampire in Romantic Literature, James Twitchell writes that he is not interested in the current generation of vampires, which he finds "rude, boring and hopelessly adolescent. However, they have not always been this way. In fact, a century ago they were often quite sophisticated, used by artists varied as Blake, Poe, Coleridge, the Brontes, Shelley, and Keats, to explain aspects of interpersonal relations. However vulgar the vampire has since become, it is important to remember that along with the Frankenstein monster, the vampire is one of the major mythic figures bequeathed to us by the English Romantics. Simply in terms of cultural influence and currency, the vampire is far more important than any other nineteenth-century archetypes; in fact, he is probably the most enduring and prolific mythic figure we have. This book traces the vampire out of folklore into serious art until he stabilizes early in this century into the character we all too easily recognize. - Book Jacket. |
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Page 135
... he has his own women , to whom Jonathan Harker , at least , is attracted ; and he is about to add new women ( Lucy and ... for it will allow the boys to destroy the father / demon to achieve “ justice ” ( read " women " ) at last .
... he has his own women , to whom Jonathan Harker , at least , is attracted ; and he is about to add new women ( Lucy and ... for it will allow the boys to destroy the father / demon to achieve “ justice ” ( read " women " ) at last .
Page 201
14 In both cases , however , the theme is carbon — the man - destroying woman . When we first meet Birkin in the “ Prologue ” to Women in Love ( the discarded opening chapter ) , he is remarkably like Skrebensky— “ hollow and ghastly to ...
14 In both cases , however , the theme is carbon — the man - destroying woman . When we first meet Birkin in the “ Prologue ” to Women in Love ( the discarded opening chapter ) , he is remarkably like Skrebensky— “ hollow and ghastly to ...
Page 205
As Charles Rossman has noted , Women in Love is a decisive turning point in Lawrence's treatment of character , for in it he makes a transition from strong women who destroy men to positive men who destroy women .
As Charles Rossman has noted , Women in Love is a decisive turning point in Lawrence's treatment of character , for in it he makes a transition from strong women who destroy men to positive men who destroy women .
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Contents
The Female Vampire | 39 |
The Male Vampire in Poetry | 74 |
The Vampire in Prose | 103 |
Copyright | |
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Other editions - View all
The Living Dead: A Study of the Vampire in Romantic Literature James B. Twitchell Limited preview - 1981 |
The Living Dead: A Study of the Vampire in Romantic Literature James B. Twitchell,Twitchell No preview available - 2014 |
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