The Living Dead: A Study of the Vampire in Romantic LiteratureIn his Preface to The Living Dead: A Study of the Vampire in Romantic Literature, James Twitchell writes that he is not interested in the current generation of vampires, which he finds "rude, boring and hopelessly adolescent. However, they have not always been this way. In fact, a century ago they were often quite sophisticated, used by artists varied as Blake, Poe, Coleridge, the Brontes, Shelley, and Keats, to explain aspects of interpersonal relations. However vulgar the vampire has since become, it is important to remember that along with the Frankenstein monster, the vampire is one of the major mythic figures bequeathed to us by the English Romantics. Simply in terms of cultural influence and currency, the vampire is far more important than any other nineteenth-century archetypes; in fact, he is probably the most enduring and prolific mythic figure we have. This book traces the vampire out of folklore into serious art until he stabilizes early in this century into the character we all too easily recognize. - Book Jacket. |
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Page 142
The Artist as Vampire The true artist will let his wife starve , his children go barefoot , his mother drudge for his living at seventy , sooner than work at anything but his art . To women he is half vivisector , half vampire .
The Artist as Vampire The true artist will let his wife starve , his children go barefoot , his mother drudge for his living at seventy , sooner than work at anything but his art . To women he is half vivisector , half vampire .
Page 144
a which continue to grow and interanimate the parts long after the artist has removed himself . Thex key word here is , of course , “ properly , ” for in some of the Romantic versions such as The Picture of Dorian Gray or The Sacred ...
a which continue to grow and interanimate the parts long after the artist has removed himself . Thex key word here is , of course , “ properly , ” for in some of the Romantic versions such as The Picture of Dorian Gray or The Sacred ...
Page 174
Basil realizes that the separation of artist and subject has disintegrated in the process of creation , that vitality , instead of being transferred from artist to artifact , is moving from artist to subject .
Basil realizes that the separation of artist and subject has disintegrated in the process of creation , that vitality , instead of being transferred from artist to artifact , is moving from artist to subject .
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Contents
The Female Vampire | 39 |
The Male Vampire in Poetry | 74 |
The Vampire in Prose | 103 |
Copyright | |
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Other editions - View all
The Living Dead: A Study of the Vampire in Romantic Literature James B. Twitchell Limited preview - 1981 |
The Living Dead: A Study of the Vampire in Romantic Literature James B. Twitchell,Twitchell No preview available - 2014 |
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Bibliographic information
| Title | The Living Dead: A Study of the Vampire in Romantic Literature |
| Author | James B. Twitchell |
| Edition | illustrated |
| Publisher | Duke University Press, 1981 |
| Original from | the University of Michigan |
| Digitized | 29 Feb 2008 |
| ISBN | 0822304384, 9780822304388 |
| Length | 219 pages |
| Export Citation | BiBTeX EndNote RefMan |