The Living Dead: A Study of the Vampire in Romantic LiteratureIn his Preface to The Living Dead: A Study of the Vampire in Romantic Literature, James Twitchell writes that he is not interested in the current generation of vampires, which he finds "rude, boring and hopelessly adolescent. However, they have not always been this way. In fact, a century ago they were often quite sophisticated, used by artists varied as Blake, Poe, Coleridge, the Brontes, Shelley, and Keats, to explain aspects of interpersonal relations. However vulgar the vampire has since become, it is important to remember that along with the Frankenstein monster, the vampire is one of the major mythic figures bequeathed to us by the English Romantics. Simply in terms of cultural influence and currency, the vampire is far more important than any other nineteenth-century archetypes; in fact, he is probably the most enduring and prolific mythic figure we have. This book traces the vampire out of folklore into serious art until he stabilizes early in this century into the character we all too easily recognize. - Book Jacket. |
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Page 21
—Knowing by instinct that the person they intend to attack is in a sound slumber , they generally light near the feet , where , while the creature continues fanning with his enormous wings , which keeps one cool , he bites a piece out ...
—Knowing by instinct that the person they intend to attack is in a sound slumber , they generally light near the feet , where , while the creature continues fanning with his enormous wings , which keeps one cool , he bites a piece out ...
Page 73
Bertha does not have to attack Jane ; all she has to do is continue snarling about in the attic . In the short run Bertha is victorious ; Jane has to leave . The friction generated between the oppositions of actual and symbolic ...
Bertha does not have to attack Jane ; all she has to do is continue snarling about in the attic . In the short run Bertha is victorious ; Jane has to leave . The friction generated between the oppositions of actual and symbolic ...
Page 121
244 ) Apparently having gathered strength from his second trip to Catherine , Heathcliff continues his diabolical ways until November , when Lockwood comes to call , finds Catherine's diary and has the dream of Catherine's bloody hand ...
244 ) Apparently having gathered strength from his second trip to Catherine , Heathcliff continues his diabolical ways until November , when Lockwood comes to call , finds Catherine's diary and has the dream of Catherine's bloody hand ...
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Contents
The Female Vampire | 39 |
The Male Vampire in Poetry | 74 |
The Vampire in Prose | 103 |
Copyright | |
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Other editions - View all
The Living Dead: A Study of the Vampire in Romantic Literature James B. Twitchell Limited preview - 1981 |
The Living Dead: A Study of the Vampire in Romantic Literature James B. Twitchell,Twitchell No preview available - 2014 |
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