The Living Dead: A Study of the Vampire in Romantic LiteratureIn his Preface to The Living Dead: A Study of the Vampire in Romantic Literature, James Twitchell writes that he is not interested in the current generation of vampires, which he finds "rude, boring and hopelessly adolescent. However, they have not always been this way. In fact, a century ago they were often quite sophisticated, used by artists varied as Blake, Poe, Coleridge, the Brontes, Shelley, and Keats, to explain aspects of interpersonal relations. However vulgar the vampire has since become, it is important to remember that along with the Frankenstein monster, the vampire is one of the major mythic figures bequeathed to us by the English Romantics. Simply in terms of cultural influence and currency, the vampire is far more important than any other nineteenth-century archetypes; in fact, he is probably the most enduring and prolific mythic figure we have. This book traces the vampire out of folklore into serious art until he stabilizes early in this century into the character we all too easily recognize. - Book Jacket. |
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Page 21
... continues to suck that blood , until he is obliged to disgorge . He then begins again , and thus continues sucking and disgorging till he is scarcely able to fly , and the sufferer has often been known to sleep from time into eternity ...
... continues to suck that blood , until he is obliged to disgorge . He then begins again , and thus continues sucking and disgorging till he is scarcely able to fly , and the sufferer has often been known to sleep from time into eternity ...
Page 35
... continues . Then near the end of the century , perhaps under the influence of German Gothic and nascent English Satanism , the tenor changes . The dead lover turns sadistic . He now wants more than a consummation of love in death ; he ...
... continues . Then near the end of the century , perhaps under the influence of German Gothic and nascent English Satanism , the tenor changes . The dead lover turns sadistic . He now wants more than a consummation of love in death ; he ...
Page 121
... continues his diabolical ways until November , when Lockwood comes to call , finds Catherine's diary and has the dream of Catherine's bloody hand which triggers Heathcliff's " maxillary convulsions ” ( p . 21 ) . About five months later ...
... continues his diabolical ways until November , when Lockwood comes to call , finds Catherine's diary and has the dream of Catherine's bloody hand which triggers Heathcliff's " maxillary convulsions ” ( p . 21 ) . About five months later ...
Contents
The Female Vampire | 39 |
The Male Vampire in Poetry | 74 |
The Vampire in Prose | 103 |
Copyright | |
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Other editions - View all
The Living Dead: A Study of the Vampire in Romantic Literature James B. Twitchell Limited preview - 1981 |
The Living Dead: A Study of the Vampire in Romantic Literature James B. Twitchell,Twitchell No preview available - 2014 |
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