The Living Dead: A Study of the Vampire in Romantic LiteratureIn his Preface to The Living Dead: A Study of the Vampire in Romantic Literature, James Twitchell writes that he is not interested in the current generation of vampires, which he finds "rude, boring and hopelessly adolescent. However, they have not always been this way. In fact, a century ago they were often quite sophisticated, used by artists varied as Blake, Poe, Coleridge, the Brontes, Shelley, and Keats, to explain aspects of interpersonal relations. However vulgar the vampire has since become, it is important to remember that along with the Frankenstein monster, the vampire is one of the major mythic figures bequeathed to us by the English Romantics. Simply in terms of cultural influence and currency, the vampire is far more important than any other nineteenth-century archetypes; in fact, he is probably the most enduring and prolific mythic figure we have. This book traces the vampire out of folklore into serious art until he stabilizes early in this century into the character we all too easily recognize. - Book Jacket. |
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Page 47
In any case , Coleridge seems more interested in the process of psychic energy transfer , dark eroticism , and the ... in part because the mythic roles have become so mixed up and Coleridge does not seem to want to straighten them out .
In any case , Coleridge seems more interested in the process of psychic energy transfer , dark eroticism , and the ... in part because the mythic roles have become so mixed up and Coleridge does not seem to want to straighten them out .
Page 115
Actually , Darvell seems simply another Byronic Hero who , like Lara or the Corsair or any of a host of others , is driven by some inner demon , some mysterious force , into a life of exile . And the central image in Byron's story — the ...
Actually , Darvell seems simply another Byronic Hero who , like Lara or the Corsair or any of a host of others , is driven by some inner demon , some mysterious force , into a life of exile . And the central image in Byron's story — the ...
Page 119
Emily Brontė seems content to let us slide the vampire legend behind Heathcliff , almost as if it were a metaphor to explain his peculiar behavior . Whether or not he actually does suck blood , he acts as if he were vamping other ...
Emily Brontė seems content to let us slide the vampire legend behind Heathcliff , almost as if it were a metaphor to explain his peculiar behavior . Whether or not he actually does suck blood , he acts as if he were vamping other ...
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Contents
The Female Vampire | 39 |
The Male Vampire in Poetry | 74 |
The Vampire in Prose | 103 |
Copyright | |
2 other sections not shown
Other editions - View all
The Living Dead: A Study of the Vampire in Romantic Literature James B. Twitchell Limited preview - 1981 |
The Living Dead: A Study of the Vampire in Romantic Literature James B. Twitchell,Twitchell No preview available - 2014 |
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