The Living Dead: A Study of the Vampire in Romantic LiteratureIn his Preface to The Living Dead: A Study of the Vampire in Romantic Literature, James Twitchell writes that he is not interested in the current generation of vampires, which he finds "rude, boring and hopelessly adolescent. However, they have not always been this way. In fact, a century ago they were often quite sophisticated, used by artists varied as Blake, Poe, Coleridge, the Brontes, Shelley, and Keats, to explain aspects of interpersonal relations. However vulgar the vampire has since become, it is important to remember that along with the Frankenstein monster, the vampire is one of the major mythic figures bequeathed to us by the English Romantics. Simply in terms of cultural influence and currency, the vampire is far more important than any other nineteenth-century archetypes; in fact, he is probably the most enduring and prolific mythic figure we have. This book traces the vampire out of folklore into serious art until he stabilizes early in this century into the character we all too easily recognize. - Book Jacket. |
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Page 105
Polidori , so the story goes , skulked away . With the coming of the Shelleys to Lake Geneva Polidori was for the first time since the trip began the odd - man - out , the exile from the exiled . Byron's friendship with the Shelleys and ...
Polidori , so the story goes , skulked away . With the coming of the Shelleys to Lake Geneva Polidori was for the first time since the trip began the odd - man - out , the exile from the exiled . Byron's friendship with the Shelleys and ...
Page 124
There is no pretense , no purpose , no art ; just a rollicking story . As opposed to its earlier , more sombre treatments , the vampire myth in Varney is not the means of telling the story , but the story itself ; and Varney , for all ...
There is no pretense , no purpose , no art ; just a rollicking story . As opposed to its earlier , more sombre treatments , the vampire myth in Varney is not the means of telling the story , but the story itself ; and Varney , for all ...
Page 129
As a vampire story Carmilla is less diffuse than Dracula , less frothy than Varney , less dull than The Vampyre ; it is ... For Carmilla , like Christabel , is the story of a lesbian entanglement , a story of the sterile love of ...
As a vampire story Carmilla is less diffuse than Dracula , less frothy than Varney , less dull than The Vampyre ; it is ... For Carmilla , like Christabel , is the story of a lesbian entanglement , a story of the sterile love of ...
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Contents
The Female Vampire | 39 |
The Male Vampire in Poetry | 74 |
The Vampire in Prose | 103 |
Copyright | |
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Other editions - View all
The Living Dead: A Study of the Vampire in Romantic Literature James B. Twitchell Limited preview - 1981 |
The Living Dead: A Study of the Vampire in Romantic Literature James B. Twitchell,Twitchell No preview available - 2014 |
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