voice. Students of Elocution and public speakers frequently render themselves ridiculous, and the study of Elocution disgusting, by parading their powers of orotund on all occasions. Such exhibitions resemble "Ocean into tempest tossed To waft a feather or to drown a fly." Except in the expression of grand, lofty, and sublime thought, the Pure Tone should form the basis of utterance. SECTION IX. AS PIR A TE. The aspirate is that quality of voice in which the breath is sent forth from the organs without being converted into vocal sound. The whisper is the perfection of the aspirate quality. Like the Pure Tone and Orotund, it has its effusive, expulsive and explosive forms. To acquire control of this quality, practice in a whispered tone the elements and words and sentences in which the element h predominates. ASPIRATE, EFFUSIVE FORM-FIRST EXERCISE. 1. ĕ, as heard in me, eve. The aspirate, in the effusive form, is the quality appropriate for the expression of secret thought, sup pressed fear and profound repose. Combined with the orotund, the aspirate intensifies the expression of sublimity, awe, reverence and amaze ment. It is in this combined form that the aspirate will be of the greatest practical advantage to the general student. EXAMPLES: I. STILLNESS. Aspirate, Effusive Form. [From "Dying Request."-Mrs. Hemans.] Leave me! Thy footstep with its lightest sound, Wakes in my soul a feeling too profound, Too strong, for aught that lives and dies to bear; II. PROFOUND REPOSE. [From "Stillness of Night."-Byron.] All heaven and earth are still, though not in sleep, All heaven and earth are still: from the high host All is concentrated in a life intense, Where not a beam, nor air, nor leaf, is lost, But hath a part of being, and a sense Of that which is of all Creator and Defense. III. SUBLIMITY AND REVERENCE. [From a Russian Hymn.-Browning.] Thou breathest, and the obedient storm is still; And the hushed billows roll across his gravo. Sourceless and endless God! Compared to thee, And time, when viewed through thy eternity, IV. SUBLIMITY AND AWE. Aspirate, Orotund, Effusive Form. [From "The Closing Year."-Prentice.] 'Tis midnight's holy hour, and silence now Is brooding, like a gentle spirit, o'er The still and pulseless world. Hark! on the winds No funeral train Is sweeping past; yet on the stream and wood, Young Spring, bright Summer, Autumn's solemn form, In mournful cadences, that come abroad Like the far wind-harp's wild and touching wail, A melancholy dirge o'er the dead year, Gone from the earth forever. ASPIRATE, EXPULSIVE FORM-EXERCISE. Repeat the elements and words on page 74 in the expulsive form, aspirate quality. The aspirate, in the expulsive form, is the quality appropriate for the expression of sudden fear, alarm and terror. Combined with the orotund, it gives intensity to awe and horror. EXAMPLES: I. ALARM AND FEAR. [From "The Battle of Waterloo."—Byron.] II. SUPPRESSED COMMAND, FEAR. Aspirate, Expulsive Form. [From "Military Command."-Anon.] Soldiers, you are now within a few steps of the enemy's outposts! Our scouts report them as slumbering in parties around their watchfires, and utterly unprepared for our approach. A swift and noiseless advance around that projecting rock, and we are upon them-we capture them without the possibility of resistance. One disorderly noise or motion may leave us at the mercy of their advanced guard. Let every man keep the strictest silence under the pain of instant death. III. INTENSE FEAR, AWE, AND HORROR. [From "Hamlet."-Shakspeare.] Angels and ministers of grace defend us! Be thou a spirit of health, or goblin damned, Bring with thee airs from heaven, or blasts from hell, Be thy intents wicked or charitable, Thou com'st in such a questionable shape That I will speak to thee; I'll call thee Hamlet, King, father, royal Dane: O answer me: Let me not burst in ignorance! but tell Why thy canonized bones, hearsed in death, Hath op'd his ponderous and marble jaws, ASPIRATE, EXPLOSIVE FORM-EXERCISE. Repeat the elements and words on page 74 in the explosive form, with aspirate quality. The aspirate, in the explosive form, is the quality of voice appropriate for the expression of intense fear, hor ror, awe and dread. Mingled with the orotund, it intensifies the expressions excited by sudden terror and alarm. EXAMPLES: I. INTENSE HORROR [From "Macbeth."-Shakspeare.] Methought I heard a voice cry, Sleep no more! II. EXCLAMATION CAUSED BY SUDDEN HORROR AND ALARM. Aspirate-Orotund, Explosive Form. [From "Macbeth."-Shakspeare.] Avaunt! and quit my sight! Let the earth hide thee! Which thou dost glare with! Without command of the aspirate quality it is impossible to give appropriate expression to the emotions of fear, awe, horror, dread, amazement, and similar pas sions. The utterance of deep solemnity and sublimity is greatly intensified by mingling the aspirate quality with the orotund. Like all other elements of utterance, it must be prac |