The Round Table: Characters of Shakespear's Plays |
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Page 88
... imagination nor reason can properly be said to have been the original predominant faculties of his mind . The strength both of imagination and reason , which he possessed , was borrowed from the excess of another faculty ; and the ...
... imagination nor reason can properly be said to have been the original predominant faculties of his mind . The strength both of imagination and reason , which he possessed , was borrowed from the excess of another faculty ; and the ...
Page 110
... imagination produces the passion , and in the latter the passion pro- duces the imagination . The interest of epic poetry arises from the contemplation of certain objects in themselves grand and beautiful : the interest of dramatic ...
... imagination produces the passion , and in the latter the passion pro- duces the imagination . The interest of epic poetry arises from the contemplation of certain objects in themselves grand and beautiful : the interest of dramatic ...
Page 186
... imagination bodies forth The forms of things unknown , the poet's pen Turns them to shape , and gives to airy nothing A local habitation and a name . ' MACBETH and Lear , Othello and Hamlet , are usually reckoned Shake- spear's four ...
... imagination bodies forth The forms of things unknown , the poet's pen Turns them to shape , and gives to airy nothing A local habitation and a name . ' MACBETH and Lear , Othello and Hamlet , are usually reckoned Shake- spear's four ...
Contents
On Modern Comedy | 10 |
On Posthumous Fame Whether Shakspeare was influenced | 21 |
The Subject continued | 28 |
Copyright | |
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Common terms and phrases
actor admiration affections Apemantus appear beauty Beggar's Opera Boccacio Cæsar Caliban character circumstances comedy common contempt Coriolanus critic CYMBELINE death delight Desdemona dost doth dramatic equal excited eyes Falstaff fame fancy favour fear feeling folly fool friends genius give Gonerill good-natured grace hath hear heart heaven Henry honour Hubert human humour Iago idea imagination indifference instance interest Julius Cæsar king lady Lear live look lord Macbeth Malvolio manner Marriage a-la-Mode MIDSUMMER NIGHT'S DREAM mind mistress moral nature never noble objects opinion Othello painted painter passages passion persons picture play pleasure poet poetry Prince principle reason refinement Regan Richard Richard II scene seems sense sentiment Shakespear shew soul speak spirit stage sweet sympathy taste Tatler tenderness thee things thou art thought Titian Titus Andronicus tragedy true truth whole William Hazlitt words writer youth