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Cyril, that, duly flattered, took,
As only Cyril's able,

With just the same Arcadian look
He used, last night, for Mabel;

Then, having waltzed till every star
Had paled away in morning,
Lit up his cynical cigar,

And tossed you downward, scorning.

Kismet, my Rose! Revenge is sweet,-
She made my heart-strings quiver ;
And yet You shan't lie in the street;
I'll drop you in the River.

A. B. C.

AUSTIN DOBSON.

is an Angel of blushing eighteen:
B is the Ball where the angel was

seen:

C is her Chaperon, who cheated at

cards:

D is the Deuxtemps, with Frank of the Guards:

E

F

is her Eye, killing slowly but surely:

is the Fan, whence it peeped so demurely:

G is the Glove of superlative kid:

H is the Hand which it spitefully hid;

I

is the Ice which the fair one demanded:

J

is the Juvenile, that dainty who handed:

K is the Kerchief, a rare work of art;

L

is the Lace which composed the chief part:

M is the old Maid who watched the chits dance:
N is the Nose she turned up at each glance:

O is the Olga (just then in its prime):
P is the Partner who wouldn't keep time:

Q's a Quadrille, put instead of the Lancers:
R the Remonstrances made by the dancers:
S is the Supper, where all went in pairs;
Tis the Twaddle they talked on the stairs:
U is the Uncle who "thought we'd be goin
is the Voice which his niece replied "No" in:
W is the Waiter, who sat up till eight:

V

X is his Exit, not rigidly straight:

Y

N

is a Yawning fit caused by the Ball:
stands for Zero, or nothing at all.

CHARLES STUART CALVERLEY.

AGED FORTY.

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O Times! no book!—and I must wait
A full half-hour ere Doldrum comes!
Brown would find pictures in the grate,
Jones watch the twirling of his
thumbs;

Both noble aims; but, after all,
E'en such delights are apt to pall.
Confound the stupid place!
What shall I do the time to pass?
I'll give five minutes to the glass,
And contemplate my face.

My face! Is this long strip of skin,
Which bears of worry many a trace,
Of sallow hue, of features thin,

This mass of seams and lines, my face?
The aspect's bad, the glass is wrong,
Some cheating ray must fall along
The surface of the plate!

I've known myself now forty year,
Yet never saw myself appear

In such a sorry state.

I'll speak to Doldrum-wait awhile!
Let's think a little while before deciding.
Of late I've noticed Nelly's smile

Has been less kind and more deriding.
Can I be growing old? Can youth
Have said farewell? The simple truth
I'll have, no doubt concealing;
Straightway I'll put my heart to school,
And though I find I've played the fool,
I'll speak out every feeling.

When introduced to Minnie Blair
Last night on waltzing purpose bent,
I saw that rosebud smile and stare,
Half pity, half astonishment.

66

Engaged," she murmured as I bowed;
But ere I mingled with the crowd,

I caught her muttered word

"I waltz with him! How can Grace bring
Me such a pompous stout old thing?
She's really too absurd!"

A "stout old thing!" Oh, Lucy, love,
Ten long years resting in the grave,
Whose simply-sculptured tomb above
The feathery-tufted grasses wave—
Couldst thou bear such a term applied
To him who won thee for his bride,

Whose heart for thee nigh's broke? Round whose slim neck thine arm would twine,

As round the elm the eglantine,

Or ivy round the oak.

'Twas but last week, in Truefitt's shop,

A man with aspect grave and calm, Said I was "thinning at the top,"

And recommended some-one's Balm!

What "balm of Gilead" could recall
The mother's touch that used to fall
Upon my childish brow?

That soft sweet hand that used to toy
With thick curl clusters of her boy-
Where is that mother now?

Gone is my hack, my gallant roan,
Too hot for use. I've in his place
A cob "well up to fourteen stone,"
Of ambling gait and easy pace.

The arm that stopped the Slasher's blow,
Or clave Rhine's flood, hangs listless now,
No grist to any "mill."

The legs so stalwart and so strong

Which, all unfaltering, climbed Mont Blanc,
Now ache at Primrose Hill.

My heart!

my what?-ten years Ten dreary years of London life

And worldly selfishness, since last

have passed,

My heart was quickened in Love's strife:
A look would make my pulses dance;
How swift would dim my bright eye's glance
When Grief turned on her main!
Naught makes my eyes now brightly glow
Save Mümm's Moselle, or Clos Vaugeot,
Or Veuve Clicquot's champagne.

Yet I have known-ay, I have known,
If e'er 'twere given to mortal here,
The pleasure of the lowered tone,
The whisper in the trellised ear ;
The furtive touch of tiny feet,
The heart's wild effervescing beat,

The maddened pulse's play :

Those hearts are now all still and cold,
Those feet are 'neath the churchyard mould.
And I—have had my day!

What! quiv'ring lips and eyelids wet
At recollection of the dead!

No well-bred man should show regret

Though youth, though love, though hope be fled!

Ha! Doldrum, man, come back! What
news?

So Frank's gazetted to the Blues!
And Jack's got his divorce.
I'll toddle down towards the club;
A cutlet-then our usual “rub”-
You'll join us there, of course!

EDMUND YATES.

THE ROMANCE OF A GLOVE.

ERE on my desk it lies,
Here as the daylight dies,
One small glove, just her size—
Six and a quarter;

Pearl-grey, a colour neat,
Deux boutons all complete,
Faint-scented, soft, and sweet;

Could glove be smarter?

Can I the day forget,

Years ago, when the pet

Gave it me?-where we met

Still I remember;

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