Th' infantry, dreading lest his covenant The foe should break; so close he hemm'd them round. "Wilt thou I touch him on the hip?" To whom But he, who was in conference with my guide, 1 Yesterday.] This passage fixes the era of Dante's descent at Good Friday, in the year 1300 (34 years from our blessed Lord's incarnation being added to 1266), and at the thirty-fifth year of our Poet's age. See Canto i. v. 1. The awful event alluded to, the Evangelists inform us, happened at the ninth hour," that is, our sixth, when the rocks were rent," and the convulsion, according to Dante, was felt even in the depths of Hell. See Canto xii. v. 38. 2 Cagnazzo.] Pulci introduces some of these demons in a very pleasant adventure, related near the beginning of the second Canto of his Morgante Maggiore: Non senti tu, Orlando, in quella tomba Quelle parole, che colui rimbomba? Io voglio andar a scoprir quello avello, Là dove e' par che quella voce s'oda, Ed escane Cagnazzo, e Farfarello, O Libicocco, col suo Malacoda; E finalmente s'accostava a quello, Però che Orlando questa impresa loda, E disse; scuopri, se vi fussi dentro Quanti ne piovon mai dal ciel nel centro. Stanze 30, 1. "Perceivest the words, Orlando, which this fellow Doth in our ears out of that tomb rebellow? I'll go, and straight the sepulchre uncase, From whence, as seems to me, that voice was heard; Or Libicoc with Malacoda, stirr'd:" And finally he drew near to the place; The emprize Orlando praising with this word: The troop of ten let Barbariccia lead. I then: "O master! what a sight is there. Which he with sound obscene 2 triumphant gave. CANTO XXII. Argument. Virgil and Dante proceed, accompanied by the Demons, and see other sinners of the same description in the same gulf. The device of Ciampolo, one of these, to escape from the Demons, who had laid hold on him. IT hath been heretofore my chance to see 10 master!] Lombardi tells us that every edition, except his favourite Nidobeatina, has "O me" printed separately, instead of "Omè." This is not the case at least with Landino's of 1484. But there is no end of these inaccuracies. With sound obscene.] Compare the original with Aristophanes, Nubes, 165: σάλπιγξ ὁ πρωκτὸς ἐστίν. 3 Tabors.] "Tabour, a drum, a common accompaniment of war, is mentioned as one of the instruments of martial music in this battle (in Richard Coeur-deLion) with characteristical propriety. It was imported into the European armies And with inventions multiform, our own, In evolution moving, horse nor foot, 3 Nor ship, that tack'd by sign from land or star. 4 Then I:"Inform thee, Master! if thou may, from the Saracens in the holy war. Joinville describes a superb bark or galley belonging to a Saracen chief, which, he says, was filled with cymbals, tabours, and Saracen horns. Hist. de S. Loys, p. 30." Warton's Hist. of Eng. Poetry, vol. i. sec. 4, p. 167. 1 In the church.] This proverb is repeated by Pulci, Morg. Magg. c. xvii. 2 Whate'er the chasm contain'd.] Monti, in his Proposta, interprets "contegno" to mean, not "contents" but "state," "condition." 3 As dolphins.] -li lieti delfini Givan saltando sopra l'onde chiare, Frezzi, Il Quadrir. lib. 1. cap. xv. 4 Graffiacan.] Fuseli, in a note to his third Lecture, observes, that "the Minos of Dante, in Messer Biagio da Cesena, and his Charon, have been recognised by all; but less the shivering wretch held over the barge by a hook, and evidently taken from this passage.' He is speaking of Michael Angelo's Last Judgment. What wretched soul is this, on whom their hands A spendthrift of his substance and himself. Nor hook nor talon then should scare me more 1 Born in Navarre's domain.] The name of this peculator is said to have been Ciampolo. 2 The good king Thibault.] "Thibault I., king of Navarre, died on the 8th of June, 1233, as much to be commended for the desire he showed of aiding the war in the Holy Land, as reprehensible and faulty for his design of oppressing the rights and privileges of the church; on which account it is said that the whole kingdom was under an interdict for the space of three entire years.-Thibault undoubtedly merits praise, as for his other endowments, so especially for his cultivation of the liberal arts, his exercise and knowledge of music and poetry, in which he so much excelled, that he was accustomed to compose verses and sing them to the viol, and to exhibit his poetical compositions publicly in his palace, that they might be criticised by all." Mariana, History of Spain, b. 13. cap. ix. An account of Thibault, and two of his songs, with what were probably the original melodies, may be seen in Dr. Burney's History of Music, vol. ii. cap. iv. His poems, which are in the French language, were edited by M. l'Evêque de la Ravallière. Paris, 1742, 2 vols. 12mo. Dante twice quotes one of his verses in the Treatise de Vulg. Eloq. lib. 1. cap. ix. and lib. 2. cap. v., and refers to him again, lib. 2. cap. vi. From "the good king Thibault" are descended the good, but more unfortunate monarch, Louis XVI. of France, and consequently the present legitimate sovereign of that realm. See Henault, Abrégé Chron. 1252, 3, 4. 3 I served.] Again Lombardi misrepresents the readings of other editions, as he does throughout this Canto in several instances, wherein he professes to follow that which he has selected for his model; but, as these varieties regard certain delicacies of the original language, and do not affect the sense, I shall not trouble my readers by noticing them. Then, darting forth a prong, seized on his arm, Would next have caught; whence angrily their chief, 1 "He of Gallura, vessel of all guile, Who had his master's enemies in hand, And used them so that they commend him well. Quaking with dread resumed, "or Tuscan spirits Cagnazzo at that word deriding grinn'd, Then wagg'd the head and spake: "Hear his device, Whereto he thus, who fail'd not in rich store No longer Alichino then refrain'd, 1 The friar Gomita.] He was intrusted by Nino de' Visconti with the government of Gallura, one of the four jurisdictions into which Sardinia was divided. Having his master's enemies in his power, he took a bribe from them, and allowed them to escape. Mention of Nino will recur in the Notes to Canto xxxiii, and in the Purgatory, Canto viii. 2 Michel Zanche.] The president of Logodoro, another of the four Sardinian jurisdictions. See Canto xxxiii. Note to v. 136. |