The Critical Temper: From Milton to Romantic literature |
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Page 51
His art as a novelist , it is often said , was to make fiction as real as fact . Looked at another way , it was to translate fact into fiction . Investigation tends more and more to uncover the solid material , in sometuing experienced ...
His art as a novelist , it is often said , was to make fiction as real as fact . Looked at another way , it was to translate fact into fiction . Investigation tends more and more to uncover the solid material , in sometuing experienced ...
Page 109
pamphlets are in fact essentially different from those underlying his later political writings . There is no evidence , in his later works , that he ever retracted his affirmation , implicit in the Marmor and the Vindication , that the ...
pamphlets are in fact essentially different from those underlying his later political writings . There is no evidence , in his later works , that he ever retracted his affirmation , implicit in the Marmor and the Vindication , that the ...
Page 292
In fact , psychologically speaking , Blake , like the gnostics , stood with one foot on either side of a widening abyss : on one side , Christ and the angels of heaven ; on the other side the gigantic evil figures and creeping things ...
In fact , psychologically speaking , Blake , like the gnostics , stood with one foot on either side of a widening abyss : on one side , Christ and the angels of heaven ; on the other side the gigantic evil figures and creeping things ...
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Contents
William Cowper 17311800 | 41 |
David Garrick 17171779 | 80 |
Oliver Goldsmith 17301774 | 86 |
Copyright | |
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