The Critical Temper: From Milton to Romantic literatureMartin Tucker |
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Page 33
... play is generally acknowledged to be his masterpiece . ... Love for Love is a great improvement over the first two comedies . Its buoyant tone and broadly humorous characters are reminiscent of The Old Batchelor , while his satire ...
... play is generally acknowledged to be his masterpiece . ... Love for Love is a great improvement over the first two comedies . Its buoyant tone and broadly humorous characters are reminiscent of The Old Batchelor , while his satire ...
Page 110
... play was thwarted by the central problem of its hero Brutus , and through- out it suffered self - effacement before the larger motives of honor and patriotism . Roswell G. Ham Otway and Lee ( New Haven : Yale Univ . Pr . , 1931 ) , pp ...
... play was thwarted by the central problem of its hero Brutus , and through- out it suffered self - effacement before the larger motives of honor and patriotism . Roswell G. Ham Otway and Lee ( New Haven : Yale Univ . Pr . , 1931 ) , pp ...
Page 241
... plays by virtue of his " satirical " vigor and forceful characteriza- tion . But it is inferior as a play and also as a comedy of wit . The large element of farce in the play and the contrived situations are hardly con- ducive to the ...
... plays by virtue of his " satirical " vigor and forceful characteriza- tion . But it is inferior as a play and also as a comedy of wit . The large element of farce in the play and the contrived situations are hardly con- ducive to the ...
Contents
Joseph Addison 16721719 | 3 |
John Bunyan 16281688 | 9 |
Robert Burns 17591796 | 15 |
Copyright | |
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achieved beauty Blake Blake's Bonamy Dobrée Byron Cambridge century character Charles Lamb Coleridge Coleridge's comedy comic complete Crabbe criticism death dramatic Dryden emotional Essays Etherege experience expression fact feeling friends genius George Saintsbury H. W. Garrod Harvard Univ Hazlitt hero Houyhnhnms human Hyperion ideas imagination Jane Austen John John Keats Jonathan Wild Keats Keats's Kubla Khan Lamb later letters literary literature living London Milton mind moral narrative nature never Oxford Univ Paradise Lost passages passion perhaps philosophical play plot poem poet poetic poetry political Pope Princeton Prometheus prose reader reason Restoration Comedy Romantic satire scenes Scott seems sense sentimental Shakespeare Shelley Shelley's social Song Southey spirit stanza story style Swift symbolic T. S. Eliot theme things Thomas thought tion Tom Jones tradition tragedy truth verse vision vols whole William words Wordsworth writing wrote York