Canonization, Colonization, Decolonization: A Comparative Study of Political and Critical Works by Minority Writers

Front Cover
This comparative study of theory and literature illustrates the complexity of colonial and canonical marginalization on the bases of race, class, and gender. Through the use of cultural criticism and selected British, African, African American, Native American, and Caribbean texts, Canonization, Colonization, Decolonization demonstrates how colonialism and the traditional literary canon exploit and oppress, how writers of color have turned «stumbling blocks» into «stepping stones, » how subtleties of literary and cultural imperialism can undermine the process of decolonization, and how prosperity succeeds where adversity has failed to trap writers of color into compromise and complacency. It advocates that works by writers of color reflect a multiplicity of interdisciplinarity, intertextuality, and multiculturalism - the hallmark of a new, discovering, and creative literature.

From inside the book

Contents

Colonization and Canonization
11
Colonial and Canonical Control over Postcolonial Writers
37
Mimicry and Madness
71
Copyright

5 other sections not shown

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About the author (2001)

The Author: Seodial F. H. Deena is Associate Professor at East Carolina University where he coordinates the Multicultural Literature Program and teaches multicultural, world, postcolonial, African American, and Caribbean literature, as well as the Bible as literature. He received his doctorate in literature and criticism from Indiana University of Pennsylvania and his undergraduate degree from the University of Guyana. He is widely published in professional journals and is currently working on Colonial and Postcolonial Drama/Theater in the English Speaking Caribbean.