HE Author of TWICE-TOLD TALES has a claim to one distinction, which, as none of his literary brethren will care

about disputing it with him, he need not be afraid to mention. He was, for a good many years, the obscurest man of letters in America.

These stories were published in Magazines and Annuals, extending over a period of ten or twelve years, and comprising the whole of the writer's young manhood, without making (so far as he has ever been aware) the slightest impression on the Public. One or two among them - the RILL FROM THE TOWN-PUMP in perhaps a greater degree than any other - had a pretty wide newspaper circulation; as for the rest, he has no grounds for supposing, that, on their first appearance, they met with the good or evil fortune to be read by anybody. Throughout the time above specified, he had no incitement to literary effort in a reason

able prospect of reputation or profit; nothing but the pleasure itself of composition, -an enjoyment not at all amiss in its way, and perhaps essential to the merit of the work in hand, but which, in the long run, will hardly keep the chill out of a writer's heart or the numbness out of his fingers. To this total lack of sympathy, at the age when his mind would naturally have been most effervescent, the Public owe it, (and it is certainly an effect not to be regretted, on either part,) that the Author can show nothing for the thought and industry of that portion of his life, save the forty sketches, or thereabouts, included in these volumes.

Much more, indeed, he wrote; and some very small part of it might yet be rummaged out, (but it would not be worth the trouble,) among the dingy pages of fifteen-or-twenty-year-old periodicals, or within the shabby morocco covers of faded Souvenirs. The remainder of the works alluded to had a very brief existence, but, on the score of brilliancy, enjoyed a fate vastly superior to that of their brotherhood, which succeeded in getting through the press. In a word, the Author burned them without mercy or remorse, and moreover, without any subsequent regret, and had more than one occasion to marvel that such very dull stuff, as he knew his condemned manuscripts to be, should yet have possessed inflammability enough to set the chimney on fire!

The

After a long while, the first collected volume of the Tales was published. By this time, if the Author had ever been greatly tormented by literary ambition, (which he does not remember or believe to have been the case,) it must have perished, beyond resuscitation, in the dearth of nutriment. This was fortunate; for the success of the volume was not such as would have gratified a craving desire for notoriety. A moderate edition was "got rid of" (to use the Publisher's very significant phrase) within a reasonable time, but apparently without rendering the writer or his productions much more generally known than before. great bulk of the reading Public probably ignored the book altogether. A few persons read it, and liked it better than it deserved. At an interval of three or four years, the second volume was published, and encountered much the same sort of kindly, but calm, and very limited reception. The circulation of the two volumes was chiefly confined to New England; nor was it until long after this period, if it even yet be the case, that the Author could regard himself as addressing the American Public, or, indeed, any Public at all. He was merely writing to his known or unknown friends.

As he glances over these long-forgotten pages, and considers his way of life while composing them, the Author can very clearly discern why all this was so. After so many sober years, he would have

reason to be ashamed if he could not criticise his own work as fairly as another man's; and, though it is little his business, and perhaps still less his interest, he can hardly resist a temptation to achieve something of the sort. If writers were allowed to do so, and would perform the task with perfect sincerity and unreserve, their opinions of their own productions would often be more valuable and instructive than the works themselves.

At all events, there can be no harm in the Author's remarking, that he rather wonders how the TWICE-TOLD TALES should have gained what vogue they did, than that it was so little and so gradual. They have the pale tint of flowers that blossomed in too retired a shade, the coolness of a meditative habit, which diffuses itself through the feeling and observation of every sketch. Instead of passion, there is sentiment; and, even in what purport to be pictures of actual life, we have allegory, not always so warmly dressed in its habiliments of flesh and blood, as to be taken into the reader's mind without a shiver. Whether from lack of power, or an unconquerable reserve, the Author's touches have often an effect of tameness; the merriest man can hardly contrive to laugh at his broadest humor; the tenderest woman, one would suppose, will hardly shed warm tears at his deepest pathos. The book, if you would see anything in it, requires to be read in the clear, brown,

twilight atmosphere in which it was written; if opened in the sunshine, it is apt to look exceedingly like a volume of blank pages.

With the foregoing characteristics, proper to the productions of a person in retirement, (which happened to be the Author's category at the time,) the book is devoid of others that we should quite as naturally look for. The sketches are not, it is hardly necessary to say, profound; but it is rather more remarkable that they so seldom, if ever, show any design on the writer's part to make them so. They have none of the abstruseness of idea, or obscurity of expression, which mark the written communications of a solitary mind with itself. They never need translation. It is, in fact, the style of a man of society. Every sentence, so far as it embodies thought or sensibility, may be understood and felt by anybody, who will give himself the trouble to read it, and will take up the book in a proper mood.

This statement of apparently opposite peculiarities leads us to a perception of what the sketches truly are. They are not the talk of a secluded man with his own mind and heart, (had it been so, they could hardly have failed to be more deeply and permanently valuable,) but his attempts, and very imperfectly successful ones, to open an intercourse with the world.

The Author would regret to be understood as