Byron: Romantic Paradox |
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Page 125
... Italy he was no longer forced to be the dilettante in his serious affairs . He could honestly make money , and his thoughts could turn unashamed to the pursuit of fame . The transformation in his attitude toward his work had begun while ...
... Italy he was no longer forced to be the dilettante in his serious affairs . He could honestly make money , and his thoughts could turn unashamed to the pursuit of fame . The transformation in his attitude toward his work had begun while ...
Page 182
... Italian burlesque and the Italian heroic epics , allowed for \ both emotion and mockery , and much besides . It is this tradition of Don Juan that was in its favor , not theories behind its composition . Where the dramas drew upon a ...
... Italian burlesque and the Italian heroic epics , allowed for \ both emotion and mockery , and much besides . It is this tradition of Don Juan that was in its favor , not theories behind its composition . Where the dramas drew upon a ...
Page 220
... Italy , p . 26 . 10 L. and J. , III , 442 . 11 Blessington , Idler in Italy , p . 26 . 12 Trelawny , op . cit . , p . 40 . 13 L. and J. , III , 442 . 14 P. 333 . 15 Childe Harold , can . Iv , st . 9 . 16 L. and J. , V , 375 . 17 Can ...
... Italy , p . 26 . 10 L. and J. , III , 442 . 11 Blessington , Idler in Italy , p . 26 . 12 Trelawny , op . cit . , p . 40 . 13 L. and J. , III , 442 . 14 P. 333 . 15 Childe Harold , can . Iv , st . 9 . 16 L. and J. , V , 375 . 17 Can ...
Contents
THE AGE OF REASON | 21 |
REBIRTH | 123 |
DRAMA AND PROPAGANDA | 152 |
Copyright | |
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accepted Addison admired Alfieri appeal Aristotle artistic Astarte audience Bards and Scotch Beppo Byronic hero Cain cantos century character Childe Harold classic common sense composed composition conscience conscious contemporaries criticism dislike Don Juan drama Dunciad effect emotion England English Bards epic expression fame feel friends genius Giaour Gifford Guiccioli Hereafter cited hero heroic couplet Hints from Horace Hobhouse Homer humor Ibid ideal Iliad imagination imitation inspiration Johnson Lady Blessington later Leigh Hunt letters literary Lord Byron Manfred manner Marino Faliero Medwin ment mind models mood Moore moral narrative nature neoclassic ness never passion personality plays poem poet poet's poetic poetry Pope preface principle production reaction reason result rhyme Roger Ingpen romantic Sardanapalus satire Scotch Reviewers sentiment Shakespeare Shelley Shelley's sincerity soul speaks spirit style taste theatre theory things thought tion tone tradition tragedy Trelawny truth Unities verse whole writing written wrote