Byron: Romantic Paradox |
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Page 79
... entirely within the pale of reason and right . Whatever of it he could he overcame in himself , and what he could not he ignored . Nevertheless , he was easily flattered by attention . The Hours of Idleness volume was well received ...
... entirely within the pale of reason and right . Whatever of it he could he overcame in himself , and what he could not he ignored . Nevertheless , he was easily flattered by attention . The Hours of Idleness volume was well received ...
Page 94
... entirely upon his genius , the immediate desire , not upon careful planning and the slow fruition of the idea . Com- position was something removed from common life , a dis- tinct faculty or soul , 76 and could not be called , like Glen ...
... entirely upon his genius , the immediate desire , not upon careful planning and the slow fruition of the idea . Com- position was something removed from common life , a dis- tinct faculty or soul , 76 and could not be called , like Glen ...
Page 203
... entirely from the excellence of Don Juan . It must be remembered that he was also for a time independent about his dramas in the face of a deadlier discouragement than disapproval lack of interest , silence . The opposition to the epic ...
... entirely from the excellence of Don Juan . It must be remembered that he was also for a time independent about his dramas in the face of a deadlier discouragement than disapproval lack of interest , silence . The opposition to the epic ...
Contents
THE AGE OF REASON | 21 |
REBIRTH | 123 |
DRAMA AND PROPAGANDA | 152 |
Copyright | |
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accepted Addison admired Alfieri appeal Aristotle artistic Astarte audience Bards and Scotch Beppo Byronic hero Cain cantos century character Childe Harold classic common sense composed composition conscience conscious contemporaries criticism dislike Don Juan drama Dunciad effect emotion England English Bards epic expression fame feel friends genius Giaour Gifford Guiccioli Hereafter cited hero heroic couplet Hints from Horace Hobhouse Homer humor Ibid ideal Iliad imagination imitation inspiration Johnson Lady Blessington later Leigh Hunt letters literary Lord Byron Manfred manner Marino Faliero Medwin ment mind models mood Moore moral narrative nature neoclassic ness never passion personality plays poem poet poet's poetic poetry Pope preface principle production reaction reason result rhyme Roger Ingpen romantic Sardanapalus satire Scotch Reviewers sentiment Shakespeare Shelley Shelley's sincerity soul speaks spirit style taste theatre theory things thought tion tone tradition tragedy Trelawny truth Unities verse whole writing written wrote