Byron: Romantic Paradox |
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Page 11
... feel . . . that this Cicisbean existence is to be condemned . But I have neither the strength of mind to break my chain , nor the in- sensibility which would deaden its weight . " 11 So he wrote to John Cam Hobhouse . Wherever we start ...
... feel . . . that this Cicisbean existence is to be condemned . But I have neither the strength of mind to break my chain , nor the in- sensibility which would deaden its weight . " 11 So he wrote to John Cam Hobhouse . Wherever we start ...
Page 87
... feel such a constant emphasis on the immediate reality , such a hatred of humbuggery , such a conscientious and consistent dwelling with the certainty of facts . Byron , we feel , has always an eye on the earth , and his imaginary ...
... feel such a constant emphasis on the immediate reality , such a hatred of humbuggery , such a conscientious and consistent dwelling with the certainty of facts . Byron , we feel , has always an eye on the earth , and his imaginary ...
Page 89
... feeling of a Former world and Future . ” 59 ... Of course , this is all excellent common sense . Poetry is largely a ... feel , and the expression must be largely of the feeling . The principle , as he interprets it , is opposed to all ...
... feeling of a Former world and Future . ” 59 ... Of course , this is all excellent common sense . Poetry is largely a ... feel , and the expression must be largely of the feeling . The principle , as he interprets it , is opposed to all ...
Contents
THE AGE OF REASON | 21 |
REBIRTH | 123 |
DRAMA AND PROPAGANDA | 152 |
Copyright | |
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accepted Addison admired Alfieri appeal Aristotle artistic Astarte audience Bards and Scotch Beppo Byronic hero Cain cantos century character Childe Harold classic common sense composed composition conscience conscious contemporaries criticism dislike Don Juan drama Dunciad effect emotion England English Bards epic expression fame feel friends genius Giaour Gifford Guiccioli Hereafter cited hero heroic couplet Hints from Horace Hobhouse Homer humor Ibid ideal Iliad imagination imitation inspiration Johnson Lady Blessington later Leigh Hunt letters literary Lord Byron Manfred manner Marino Faliero Medwin ment mind models mood Moore moral narrative nature neoclassic ness never passion personality plays poem poet poet's poetic poetry Pope preface principle production reaction reason result rhyme Roger Ingpen romantic Sardanapalus satire Scotch Reviewers sentiment Shakespeare Shelley Shelley's sincerity soul speaks spirit style taste theatre theory things thought tion tone tradition tragedy Trelawny truth Unities verse whole writing written wrote