Byron: Romantic Paradox |
From inside the book
Results 1-3 of 59
Page 10
... never held in check , threw Byron into a fatalism of passion , which he was forever , unsuccessfully , justifying to himself . " I can- not exist without some object of love . " " I could never live for but one human being at a time ...
... never held in check , threw Byron into a fatalism of passion , which he was forever , unsuccessfully , justifying to himself . " I can- not exist without some object of love . " " I could never live for but one human being at a time ...
Page 79
... never looked beyond the moment of com- position , and published merely at the request of my friends poetic fame is by no means the ' acme ' of my wishes . " He refers to the volume as " the offspring of my poetic mania . ” And he writes ...
... never looked beyond the moment of com- position , and published merely at the request of my friends poetic fame is by no means the ' acme ' of my wishes . " He refers to the volume as " the offspring of my poetic mania . ” And he writes ...
Page 190
... never origin- ally thought . " 35 The digressions , however , are but part of the business . Byron had never been thoroughly at home when pursuing a rigid scheme , and his bent had been always to break away from the fetters of design ...
... never origin- ally thought . " 35 The digressions , however , are but part of the business . Byron had never been thoroughly at home when pursuing a rigid scheme , and his bent had been always to break away from the fetters of design ...
Contents
THE AGE OF REASON | 21 |
REBIRTH | 123 |
DRAMA AND PROPAGANDA | 152 |
Copyright | |
1 other sections not shown
Other editions - View all
Common terms and phrases
accepted Addison admired Alfieri appeal Aristotle artistic Astarte audience Bards and Scotch Beppo Byronic hero Cain cantos century character Childe Harold classic common sense composed composition conscience conscious contemporaries criticism dislike Don Juan drama Dunciad effect emotion England English Bards epic expression fame feel friends genius Giaour Gifford Guiccioli Hereafter cited hero heroic couplet Hints from Horace Hobhouse Homer humor Ibid ideal Iliad imagination imitation inspiration Johnson Lady Blessington later Leigh Hunt letters literary Lord Byron Manfred manner Marino Faliero Medwin ment mind models mood Moore moral narrative nature neoclassic ness never passion personality plays poem poet poet's poetic poetry Pope preface principle production reaction reason result rhyme Roger Ingpen romantic Sardanapalus satire Scotch Reviewers sentiment Shakespeare Shelley Shelley's sincerity soul speaks spirit style taste theatre theory things thought tion tone tradition tragedy Trelawny truth Unities verse whole writing written wrote