Byron: Romantic Paradox |
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Page 20
... Perhaps , had he been a Catholic , we might have had less of his verse ; certainly it would have been of a different character . But Byron , barred by circumstances from a father confessor , turned his tortured conscience into rhyme ...
... Perhaps , had he been a Catholic , we might have had less of his verse ; certainly it would have been of a different character . But Byron , barred by circumstances from a father confessor , turned his tortured conscience into rhyme ...
Page 39
... perhaps first of all crystallized the young man's prejudices and natural predilections into the one literary loyalty of his life - his loyalty to the school of Pope and Johnson . Gifford is interesting both as a man and as a writer ...
... perhaps first of all crystallized the young man's prejudices and natural predilections into the one literary loyalty of his life - his loyalty to the school of Pope and Johnson . Gifford is interesting both as a man and as a writer ...
Page 71
... Perhaps the distinction was not so clear in either mind as stated here , but the trend of the arguments is in that direction . The " artificial , " likewise , meant to Byron but the creation of the will and mind of man , of which the ...
... Perhaps the distinction was not so clear in either mind as stated here , but the trend of the arguments is in that direction . The " artificial , " likewise , meant to Byron but the creation of the will and mind of man , of which the ...
Contents
THE AGE OF REASON | 21 |
REBIRTH | 123 |
DRAMA AND PROPAGANDA | 152 |
Copyright | |
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accepted Addison admired Alfieri appeal Aristotle artistic Astarte audience Bards and Scotch Beppo Byronic hero Cain cantos century character Childe Harold classic common sense composed composition conscience conscious contemporaries criticism dislike Don Juan drama Dunciad effect emotion England English Bards epic expression fame feel friends genius Giaour Gifford Guiccioli Hereafter cited hero heroic couplet Hints from Horace Hobhouse Homer humor Ibid ideal Iliad imagination imitation inspiration Johnson Lady Blessington later Leigh Hunt letters literary Lord Byron Manfred manner Marino Faliero Medwin ment mind models mood Moore moral narrative nature neoclassic ness never passion personality plays poem poet poet's poetic poetry Pope preface principle production reaction reason result rhyme Roger Ingpen romantic Sardanapalus satire Scotch Reviewers sentiment Shakespeare Shelley Shelley's sincerity soul speaks spirit style taste theatre theory things thought tion tone tradition tragedy Trelawny truth Unities verse whole writing written wrote