Byron: Romantic Paradox |
From inside the book
Results 1-3 of 33
Page 98
... productions ; I can- not read them over without detecting a thousand faults . " 90 His earliest poetic production he destroyed scrupulously , in order to give it an entire new form.91 He burnt an early novel and the first scene and ...
... productions ; I can- not read them over without detecting a thousand faults . " 90 His earliest poetic production he destroyed scrupulously , in order to give it an entire new form.91 He burnt an early novel and the first scene and ...
Page 156
... production is evident in his efforts to prevent the stag- ing of Manfred , and he states his opinions on the question frequently and convincingly : " I did not , and do not write for the stage ; and would not alter a line , to draw down ...
... production is evident in his efforts to prevent the stag- ing of Manfred , and he states his opinions on the question frequently and convincingly : " I did not , and do not write for the stage ; and would not alter a line , to draw down ...
Page 163
... produce a good tragedy , if he keep to a natural style , and not play tricks to form Harlequinades for an audience . . . . I am , however , persuaded , that this [ to produce a great tragedy ] is not to be done by fol- lowing the old ...
... produce a good tragedy , if he keep to a natural style , and not play tricks to form Harlequinades for an audience . . . . I am , however , persuaded , that this [ to produce a great tragedy ] is not to be done by fol- lowing the old ...
Contents
THE AGE OF REASON | 21 |
REBIRTH | 123 |
DRAMA AND PROPAGANDA | 152 |
Copyright | |
1 other sections not shown
Other editions - View all
Common terms and phrases
accepted Addison admired Alfieri appeal Aristotle artistic Astarte audience Bards and Scotch Beppo Byronic hero Cain cantos century character Childe Harold classic common sense composed composition conscience conscious contemporaries criticism dislike Don Juan drama Dunciad effect emotion England English Bards epic expression fame feel friends genius Giaour Gifford Guiccioli Hereafter cited hero heroic couplet Hints from Horace Hobhouse Homer humor Ibid ideal Iliad imagination imitation inspiration Johnson Lady Blessington later Leigh Hunt letters literary Lord Byron Manfred manner Marino Faliero Medwin ment mind models mood Moore moral narrative nature neoclassic ness never passion personality plays poem poet poet's poetic poetry Pope preface principle production reaction reason result rhyme Roger Ingpen romantic Sardanapalus satire Scotch Reviewers sentiment Shakespeare Shelley Shelley's sincerity soul speaks spirit style taste theatre theory things thought tion tone tradition tragedy Trelawny truth Unities verse whole writing written wrote