Byron: Romantic Paradox |
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Page 10
... romantic and essen- tially male . He dreamed always of his ideal woman , though quite willing to admit that she possibly did not exist . He was conscious ever of the besoin d'aimer , of the necessity of some ideal object of affection ...
... romantic and essen- tially male . He dreamed always of his ideal woman , though quite willing to admit that she possibly did not exist . He was conscious ever of the besoin d'aimer , of the necessity of some ideal object of affection ...
Page 61
... romantic attack upon Pope was not re- grettable nor was it aimless . It was the symptom of a change and the sign of a new vitality . The romantics built anew , and it was necessary , as they advanced , to clear away the débris left by ...
... romantic attack upon Pope was not re- grettable nor was it aimless . It was the symptom of a change and the sign of a new vitality . The romantics built anew , and it was necessary , as they advanced , to clear away the débris left by ...
Page 64
... romantic sincerity but romantic pretentiousness is objectionable ; we cannot protest that a man speaks highly , but that he speaks highly when he has nothing to say . " The grand distinction of the under forms of the new school of poets ...
... romantic sincerity but romantic pretentiousness is objectionable ; we cannot protest that a man speaks highly , but that he speaks highly when he has nothing to say . " The grand distinction of the under forms of the new school of poets ...
Contents
THE AGE OF REASON | 21 |
REBIRTH | 123 |
DRAMA AND PROPAGANDA | 152 |
Copyright | |
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accepted Addison admired Alfieri appeal Aristotle artistic Astarte audience Bards and Scotch Beppo Byronic hero Cain cantos century character Childe Harold classic common sense composed composition conscience conscious contemporaries criticism dislike Don Juan drama Dunciad effect emotion England English Bards epic expression fame feel friends genius Giaour Gifford Guiccioli Hereafter cited hero heroic couplet Hints from Horace Hobhouse Homer humor Ibid ideal Iliad imagination imitation inspiration Johnson Lady Blessington later Leigh Hunt letters literary Lord Byron Manfred manner Marino Faliero Medwin ment mind models mood Moore moral narrative nature neoclassic ness never passion personality plays poem poet poet's poetic poetry Pope preface principle production reaction reason result rhyme Roger Ingpen romantic Sardanapalus satire Scotch Reviewers sentiment Shakespeare Shelley Shelley's sincerity soul speaks spirit style taste theatre theory things thought tion tone tradition tragedy Trelawny truth Unities verse whole writing written wrote