Byron: Romantic Paradox |
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Page 64
... style . The romantics , by and large , claimed to do great things , and when they failed their failure was the more ignominious . On the one hand , their cry was ... style , which is a mixture of all the styles 64 BYRON : ROMANTIC PARADOX.
... style . The romantics , by and large , claimed to do great things , and when they failed their failure was the more ignominious . On the one hand , their cry was ... style , which is a mixture of all the styles 64 BYRON : ROMANTIC PARADOX.
Page 65
William Jonathan Calvert. style , which is a mixture of all the styles of the day , which are all bombastic . . . is neither English nor poetry . " 9967 Byron is careful to distinguish in his reply to Bowles be- tween the greater ...
William Jonathan Calvert. style , which is a mixture of all the styles of the day , which are all bombastic . . . is neither English nor poetry . " 9967 Byron is careful to distinguish in his reply to Bowles be- tween the greater ...
Page 192
... style suggested by the works of another . In English Bards , it had been the style of Gifford and Churchill , rather than of Pope ; in Childe Harold , that of the Spenserian stanza , in many hands ; and in the early trage- dies ...
... style suggested by the works of another . In English Bards , it had been the style of Gifford and Churchill , rather than of Pope ; in Childe Harold , that of the Spenserian stanza , in many hands ; and in the early trage- dies ...
Contents
THE AGE OF REASON | 21 |
REBIRTH | 123 |
DRAMA AND PROPAGANDA | 152 |
Copyright | |
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accepted Addison admired Alfieri appeal Aristotle artistic Astarte audience Bards and Scotch Beppo Byronic hero Cain cantos century character Childe Harold classic common sense composed composition conscience conscious contemporaries criticism dislike Don Juan drama Dunciad effect emotion England English Bards epic expression fame feel friends genius Giaour Gifford Guiccioli Hereafter cited hero heroic couplet Hints from Horace Hobhouse Homer humor Ibid ideal Iliad imagination imitation inspiration Johnson Lady Blessington later Leigh Hunt letters literary Lord Byron Manfred manner Marino Faliero Medwin ment mind models mood Moore moral narrative nature neoclassic ness never passion personality plays poem poet poet's poetic poetry Pope preface principle production reaction reason result rhyme Roger Ingpen romantic Sardanapalus satire Scotch Reviewers sentiment Shakespeare Shelley Shelley's sincerity soul speaks spirit style taste theatre theory things thought tion tone tradition tragedy Trelawny truth Unities verse whole writing written wrote