Byron: Romantic Paradox |
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Page x
... true concern is with the act and principle of creation , which forms the basis of the artistic personality and differentiates the creator from the journeyman . The obsession of the criticism of Byron during the past decade , the problem ...
... true concern is with the act and principle of creation , which forms the basis of the artistic personality and differentiates the creator from the journeyman . The obsession of the criticism of Byron during the past decade , the problem ...
Page 134
... true source of these expressions of contempt and desperation . . . . But that he is a great poet , I think the address to ocean proves . " 31 Neither could the two agree on the purposes of art ; Byron , the conservative and the insister ...
... true source of these expressions of contempt and desperation . . . . But that he is a great poet , I think the address to ocean proves . " 31 Neither could the two agree on the purposes of art ; Byron , the conservative and the insister ...
Page 183
... true that the laughter has often a metallic ring , but it is going too far to say , with Herr Koenig , that " untrammeled good humor is so seldom , properly speaking , never , to be found in his works that in reading him we never feel ...
... true that the laughter has often a metallic ring , but it is going too far to say , with Herr Koenig , that " untrammeled good humor is so seldom , properly speaking , never , to be found in his works that in reading him we never feel ...
Contents
THE AGE OF REASON | 21 |
REBIRTH | 123 |
DRAMA AND PROPAGANDA | 152 |
Copyright | |
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accepted Addison admired Alfieri appeal Aristotle artistic Astarte audience Bards and Scotch Beppo Byronic hero Cain cantos century character Childe Harold classic common sense composed composition conscience conscious contemporaries criticism dislike Don Juan drama Dunciad effect emotion England English Bards epic expression fame feel friends genius Giaour Gifford Guiccioli Hereafter cited hero heroic couplet Hints from Horace Hobhouse Homer humor Ibid ideal Iliad imagination imitation inspiration Johnson Lady Blessington later Leigh Hunt letters literary Lord Byron Manfred manner Marino Faliero Medwin ment mind models mood Moore moral narrative nature neoclassic ness never passion personality plays poem poet poet's poetic poetry Pope preface principle production reaction reason result rhyme Roger Ingpen romantic Sardanapalus satire Scotch Reviewers sentiment Shakespeare Shelley Shelley's sincerity soul speaks spirit style taste theatre theory things thought tion tone tradition tragedy Trelawny truth Unities verse whole writing written wrote