Byron: Romantic Paradox |
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Page 101
... turn so consistently to the advice of friends . He is uncertain , ultimately , of his taste . Surrounded as he is by men whose judgment he admires , he nevertheless cannot thoroughly make their judgments his own . Their opinion , and ...
... turn so consistently to the advice of friends . He is uncertain , ultimately , of his taste . Surrounded as he is by men whose judgment he admires , he nevertheless cannot thoroughly make their judgments his own . Their opinion , and ...
Page 124
... turn of the year came a re- bound : " My run of luck . . . seems to have taken a turn every way ; but never mind , I will bring myself through in the end - if not , I can but be where I began . " 1 " If I live ten years longer , you ...
... turn of the year came a re- bound : " My run of luck . . . seems to have taken a turn every way ; but never mind , I will bring myself through in the end - if not , I can but be where I began . " 1 " If I live ten years longer , you ...
Page 191
... to earth with a single stroke of his pen , and resumes his gaiety . Even those recollections of hist former work which occur again and again are transformed either in their expression or by the turn of the ACHIEVEMENT 191.
... to earth with a single stroke of his pen , and resumes his gaiety . Even those recollections of hist former work which occur again and again are transformed either in their expression or by the turn of the ACHIEVEMENT 191.
Contents
THE AGE OF REASON | 21 |
REBIRTH | 123 |
DRAMA AND PROPAGANDA | 152 |
Copyright | |
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accepted Addison admired Alfieri appeal Aristotle artistic Astarte audience Bards and Scotch Beppo Byronic hero Cain cantos century character Childe Harold classic common sense composed composition conscience conscious contemporaries criticism dislike Don Juan drama Dunciad effect emotion England English Bards epic expression fame feel friends genius Giaour Gifford Guiccioli Hereafter cited hero heroic couplet Hints from Horace Hobhouse Homer humor Ibid ideal Iliad imagination imitation inspiration Johnson Lady Blessington later Leigh Hunt letters literary Lord Byron Manfred manner Marino Faliero Medwin ment mind models mood Moore moral narrative nature neoclassic ness never passion personality plays poem poet poet's poetic poetry Pope preface principle production reaction reason result rhyme Roger Ingpen romantic Sardanapalus satire Scotch Reviewers sentiment Shakespeare Shelley Shelley's sincerity soul speaks spirit style taste theatre theory things thought tion tone tradition tragedy Trelawny truth Unities verse whole writing written wrote