Byron: Romantic Paradox |
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Page 80
... written at least with fire . " 12 " I have written 214 pages of a novel - one poem of 380 lines , to be published . . . in a few weeks , with notes , -560 lines of Bosworth Field , and 250 lines of another poem in rhyme , besides half a ...
... written at least with fire . " 12 " I have written 214 pages of a novel - one poem of 380 lines , to be published . . . in a few weeks , with notes , -560 lines of Bosworth Field , and 250 lines of another poem in rhyme , besides half a ...
Page 121
... written too much . . . . I know not why I have dwelt so much on the same scenes , except that I find them fading ... writing mood was on , and he had to say something , he turned back instinctively to these scenes and " vivid ...
... written too much . . . . I know not why I have dwelt so much on the same scenes , except that I find them fading ... writing mood was on , and he had to say something , he turned back instinctively to these scenes and " vivid ...
Page 204
... written like it in English , " without carrying upon it the mark of a secondary and borrowed light , " and that " this sort of writing is what I wished you to do when I made my vows for an epic . " 78 Shelley believed the poem largely ...
... written like it in English , " without carrying upon it the mark of a secondary and borrowed light , " and that " this sort of writing is what I wished you to do when I made my vows for an epic . " 78 Shelley believed the poem largely ...
Contents
THE AGE OF REASON | 21 |
REBIRTH | 123 |
DRAMA AND PROPAGANDA | 152 |
Copyright | |
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accepted Addison admired Alfieri appeal Aristotle artistic Astarte audience Bards and Scotch Beppo Byronic hero Cain cantos century character Childe Harold classic common sense composed composition conscience conscious contemporaries criticism dislike Don Juan drama Dunciad effect emotion England English Bards epic expression fame feel friends genius Giaour Gifford Guiccioli Hereafter cited hero heroic couplet Hints from Horace Hobhouse Homer humor Ibid ideal Iliad imagination imitation inspiration Johnson Lady Blessington later Leigh Hunt letters literary Lord Byron Manfred manner Marino Faliero Medwin ment mind models mood Moore moral narrative nature neoclassic ness never passion personality plays poem poet poet's poetic poetry Pope preface principle production reaction reason result rhyme Roger Ingpen romantic Sardanapalus satire Scotch Reviewers sentiment Shakespeare Shelley Shelley's sincerity soul speaks spirit style taste theatre theory things thought tion tone tradition tragedy Trelawny truth Unities verse whole writing written wrote