Thanks are due to the other proprietors of the respective copyright pieces, for their courtesy and liberality in allowing their insertion. This collection has been arranged more or less chronologically, but, to give it variety, the works of contemporary writers have been mixed, and where two authors have written on the same subject, though at different epochs, it has been thought interesting to bring them side by side. For this reason the epitaphs, epigrams, political squibs, and convivial pieces, &c., have been kept together, and occur at intervals throughout the volume. The collection has been restricted to the writings of deceased authors, and as this kind of metrical composition is little cultivated at the present day, the Editor hopes that his book will not much suffer in consequence, although at the same time he regrets that the rule which he has laid down prevents his giving specimens from the writings of Messrs. Browning and Tennyson, of Lord Houghton, of Messrs. C. S. Calverly, George Cayley, Mortimer Collins, and Planché, and of Dr. O. W. Holmes, the American poet, and perhaps the best living writer of this species of verse; and of some others who have written anonymously. Much difficulty has been encountered in fixing the correct reading of several of the poems, which varies in different collections; and wherever the Editor has felt a doubt about the authorship of a poem, he has preferred leaving the question open. He has taken great care to make the selection as complete as possible, still he trusts to the indulgence of his readers for any omissions or errors which it may exhibit. FREDERICK LOCKER. LYRA ELEGANTIARUM. I. TO MISTRESS MARGARET HUSSEY. MERRY Margaret, As Midsummer flower, Or hawk of the tower; With solace and gladness, Much mirth and no madness, All good and no badness; So joyously, So womanly, Or hawk of the tower; Sweet Pomander, Well made, well wrought. B Ere you can find Or hawk of the tower. John Skelton. II. THE ONE HE WOULD LOVE. A FACE that should content me wondrous well Of lively look, all grief for to repel With right good grace, so would I that it should Speak without words, such words as none can tell; Her tress also should be of crisped gold. With wit, and these, perchance, I might be tried, III. THE SERENADE. "WHO is it that this dark night Underneath my window plaineth?” It is one who from thy sight Being (ah!) exiled, disdaineth Every other vulgar light. "Why, alas! and are you he? Are not yet these fancies changed?” Dear, when you find change in me, "What if you new beauties see? Will not they stir new affection? "Peace! I think that some give ear, Come, no more, lest I'get anger." Bliss! I will my bliss forbear, Fearing, sweet, you to endanger; But my soul shall harbour there. "Well, begone: begone, I say, Lest that Argus' eyes perceive you.” O! unjust is Fortune's sway, Which can make me thus to leave you, And from louts to run away! Sir Philip Sydney. IV. LOVE is a sickness full of woes, A plant that most with cutting grows, More we enjoy it, more it dies, Love is a torment of the mind, More we enjoy it, more it dies; Samuel Daniel. V. A DITTY. My true love hath my heart, and I have his, |