Political Rock

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Routledge, Apr 22, 2016 - Music - 250 pages
Political Rock features luminary figures in rock music that have stood out not only for their performances, but also for their politics. The book opens with a comparative, cultural history of artists who have played important roles in social movements. Individual chapters are devoted to The Clash and Fugazi, Billy Bragg, Bob Dylan, Rage Against the Machine, Pearl Jam, Sinead O'Connor, Peter Gabriel, Ani DiFranco, Bruce Cockburn, Steve Earle and Kim Gordon. These artists have been chosen for their status as rock musicians and connections to political moments, movements, and art. The artists and authors show that rock retains a critical strain, continuing a tradition of rock politics that matters to fans, activists, and movements alike.
 

Contents

Punk Paths Toward Revolution
1
The Masked Activist
23
Someone Elses Stage
37
Canadian Christian Conservationist
65
Mixing Pop and Politics
91
The Collision of Bodies
107
The Politics of Empathy
131
Ordinary Feminist Musician
149
Making Feminist Waves
159
The Conscience of Arena Rock
177
Militant Poetics
199
Index
213
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About the author (2016)

Kristine Weglarz is an Assistant Professor of Telecommunications and Film at the University of West Florida’s Department of Communication Arts. Her dissertation and research focuses on the political economy of live rock performance, constructions of authenticity, protest rock, mediaphemes, and 'liveness' as cultural constructions. She teaches courses on multi-camera electronic video production, popular music and media studies, introduction to mass media, and the political economy of media. Mark Pedelty is an associate professor of Mass Communication at the University of Minnesota. He is the author of War Stories: The Culture of Foreign Correspondents (1995), Musical Ritual in Mexico City: From the Aztec to NAFTA (2004), and Ecomusicology: Rock, Folk, and the Environment (2012). Pedelty has also published a number of journal articles dealing with popular music, including 'Woody Guthrie and the Columbia River: Propaganda, Art, and Irony' in Popular Music and Society 31(3): 329-355 (2008). Dr Pedelty is currently conducting applied research concerning music as environmental communication.

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