India Perspectives, Volume 17PTI for the Ministry of External Affairs, 2004 - India |
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Page 15
The once seemingly slow art of Kathakali seemed to be incredibly fast when
compared to the pace of Kutiyattam. Although I did not understand it at the time, I
sensed a very different energy was generated by the Kutiyattam actor. The
Kathakali ...
The once seemingly slow art of Kathakali seemed to be incredibly fast when
compared to the pace of Kutiyattam. Although I did not understand it at the time, I
sensed a very different energy was generated by the Kutiyattam actor. The
Kathakali ...
Page 16
Old Kutiyattam masters fully embody this state. I remember when I first met the
great Kutiyattam master, Ammanur Madhava Chakyar, I was struck by the aura
that surrounds him. His serenity is so deep and full that he appears to radiate
energy ...
Old Kutiyattam masters fully embody this state. I remember when I first met the
great Kutiyattam master, Ammanur Madhava Chakyar, I was struck by the aura
that surrounds him. His serenity is so deep and full that he appears to radiate
energy ...
Page 17
Even while enacting a dialogue, the Kutiyattam actor follows each word and
gesture with a pause, when his eyes must return to the lighted lamp. Again this
pause is a moment of silence, a void, an expressionless state. A Kathakali
student on ...
Even while enacting a dialogue, the Kutiyattam actor follows each word and
gesture with a pause, when his eyes must return to the lighted lamp. Again this
pause is a moment of silence, a void, an expressionless state. A Kathakali
student on ...
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