India Perspectives, Volume 17PTI for the Ministry of External Affairs, 2004 - India |
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Page 15
I was ( a common practice by actors in stunned by the performance . ... If I had seen the actor is more immediately performance upon first arriving in appealing because his performance Kerala , I probably would not have requires less ...
I was ( a common practice by actors in stunned by the performance . ... If I had seen the actor is more immediately performance upon first arriving in appealing because his performance Kerala , I probably would not have requires less ...
Page 16
Still , Kathakali at its best can combine these many elements : music , rhythm and dance , into a pulsating whole , thereby charging an actor with an emotion . Yet , this emotion is entirely different since it emerges from an active ...
Still , Kathakali at its best can combine these many elements : music , rhythm and dance , into a pulsating whole , thereby charging an actor with an emotion . Yet , this emotion is entirely different since it emerges from an active ...
Page 17
Even while enacting a dialogue , the Kutiyattam actor follows each word and gesture with a pause , when his eyes must return to the lighted lamp . Again this pause is a moment of silence , a void , an expressionless state .
Even while enacting a dialogue , the Kutiyattam actor follows each word and gesture with a pause , when his eyes must return to the lighted lamp . Again this pause is a moment of silence , a void , an expressionless state .
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