India Perspectives, Volume 17PTI for the Ministry of External Affairs, 2004 - India |
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Page 16
... dialogue . His concern is with the audience as well . Still , Kathakali at its best can combine these many elements : music , rhythm and dance , into a pulsating whole , thereby charging an actor with an emotion . Yet , this emotion is ...
... dialogue . His concern is with the audience as well . Still , Kathakali at its best can combine these many elements : music , rhythm and dance , into a pulsating whole , thereby charging an actor with an emotion . Yet , this emotion is ...
Page 17
expression on his face during a performance . When not enacting a specific dialogue , his face can be totally blank and expressionless . Even while enacting a dialogue , the Kutiyattam actor follows each word and gesture with a pause ...
expression on his face during a performance . When not enacting a specific dialogue , his face can be totally blank and expressionless . Even while enacting a dialogue , the Kutiyattam actor follows each word and gesture with a pause ...
Page 27
... dialogue that could further the idea of peaceful co - existence , tolerance and equality . Farid is known to have written in a vein that represents vairagya ( renunciation ) or tanha ( loneliness ) in Indian and Sufi terminologies ...
... dialogue that could further the idea of peaceful co - existence , tolerance and equality . Farid is known to have written in a vein that represents vairagya ( renunciation ) or tanha ( loneliness ) in Indian and Sufi terminologies ...
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