India Perspectives, Volume 17PTI for the Ministry of External Affairs, 2004 - India |
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Page 16
... expressions . He must also be aware of the tempo , the music and the singers ' dialogue . His concern is with the audience as well . Still , Kathakali ... expression on his face during a performance . When not. INDIA PERSPECTIVES MAY 2004 16.
... expressions . He must also be aware of the tempo , the music and the singers ' dialogue . His concern is with the audience as well . Still , Kathakali ... expression on his face during a performance . When not. INDIA PERSPECTIVES MAY 2004 16.
Page 17
expression on his face during a performance . When not enacting a specific dialogue , his face can be totally blank and expressionless . Even while enacting a dialogue , the Kutiyattam actor follows each word and gesture with a pause ...
expression on his face during a performance . When not enacting a specific dialogue , his face can be totally blank and expressionless . Even while enacting a dialogue , the Kutiyattam actor follows each word and gesture with a pause ...
Page 19
... expression of individuality may be explained as follows : The shabd has five stages viz , Para , Pashyanti , Madhyama , Vaikhari and Matrika . In the Para stage the speech becomes pure consciouness , which is present in the form of an ...
... expression of individuality may be explained as follows : The shabd has five stages viz , Para , Pashyanti , Madhyama , Vaikhari and Matrika . In the Para stage the speech becomes pure consciouness , which is present in the form of an ...
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