India Perspectives, Volume 17PTI for the Ministry of External Affairs, 2004 - India |
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Results 1-3 of 14
Page 15
... performance . It was breathtaking . Such subtlety , intensity and beauty of expression I had never before witnessed . But , in a way , the many months of studying Kathakali had prepared me for that night . If I had seen the performance ...
... performance . It was breathtaking . Such subtlety , intensity and beauty of expression I had never before witnessed . But , in a way , the many months of studying Kathakali had prepared me for that night . If I had seen the performance ...
Page 17
... performance . The Kutiyattam actor places less emphasis on the external form . It is not that the technique is not emphasized , but the concentration is more on the use of hands , eye movements and voice . Perhaps this allows the ...
... performance . The Kutiyattam actor places less emphasis on the external form . It is not that the technique is not emphasized , but the concentration is more on the use of hands , eye movements and voice . Perhaps this allows the ...
Page 42
... performances , folk theatre or puppet performances begin with an invocation to Lord Ganesha . Similarly , when the narrative performance using the scrolls as visual aid begins , Lord Ganesha is invoked at the beginning with the first ...
... performances , folk theatre or puppet performances begin with an invocation to Lord Ganesha . Similarly , when the narrative performance using the scrolls as visual aid begins , Lord Ganesha is invoked at the beginning with the first ...
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