And Lady Jane, who now and then
Is taken for the village steeple,
Is sure you can't be four feet ten,
And "wonders at the taste of people."

Soon pass the praises of a face;

Swift fades the very best vermillion ; Fame rides a most prodigious pace; Oblivion follows on the pillion;

And all, who, in these sultry rooms,

To-day have stared, and pushed, and fainted, Will soon forget your pearls and plumes, As if they never had been painted.

You'll be forgotten-as old debts

By persons who are used to borrow; Forgotten-as the sun that sets,

When shines a new one on the morrow; Forgotten-like the luscious peach,

That blessed the school-boy last September;

Forgotten-like a maiden speech,

Which all men praise, but none remember.

Yet, ere you sink into the stream,

That whelms alike, sage, saint, and martyr, And soldier's sword, and minstrel's theme, And Canning's wit, and Gatton's charter, Here of the fortunes of your youth

My fancy weaves her dim conjectures, Which have, perhaps, as much of truth

As Passion's vows, or Cobbett's lectures.

Was't in the north or in the south,

That summer-breezes rocked your cradle? And had you in your baby mouth

A wooden or a silver ladle?

And was your first, unconscious sleep,
By Brownie banned, or blessed by fairy?
And did you wake to laugh or weep?

And where you christened Maud or Mary?

And was your father called "

your grace ?"
And did he bet at Ascot races?
And did he chat at common-place?

And did he fill a score of places?
And did your lady-mother's charins
Consist in picklings, broilings, bastings?
Or did she prate about the arms

Her brave forefathers wore at Hastings?

Where were you 66 finished?" tell me where!
Was it at Chelsea, or at Chiswick?
Had you the ordinary share

Of books and backboard, harp and physic?
And did they bid you banish pride,
And mind your oriental tinting?

And did you learn how Dido died,

And who found out the art of printing?

And are you fond of lanes and brooks,

A votary of the sylvan muses?

Or do you con the little books

Which Baron Brougham and Vaux diffuses?

Or do you love to knit and sew,
The fashionable world's Arachne?
Or do you canter down the Row,
Upon a very long-tailed hackney?

And do you love your brother James?
And do you pet his mares and setters?
And have your friends romantic names?
And do you write them long, long letters?
And are you -since the world began

All women are—a little spiteful?

And don't you dote on Malibran ?

And don't you think Tom Moore delightful?

I see they've brought you flowers to-day,
Delicious food for eyes and noses;

But carelessly you turn away

From all the pinks, and all the roses ; Say, is that fond look sent in search

Of one whose look as fondly answers?

And is he, fairest, in the Church,

Or is he ain't he--in the Lancers?

And is your love a motley page

Of black and white, half joy, half sorrow?

Are you to wait till you're of age?

Or are you to be his to-morrow?

Or do they bid you, in their scorn,

Your pure and sinless flame to smother?

Is he so very meanly born?

Or are you married to another?

Whate'er you are, at last, adieu!

I think it is your bounden duty To let the rhymes I coin for you,

Be prized by all who prize your beauty. From you I seek nor gold nor fame; From you I fear no cruel strictures; I wish some girls that I could name Were half as silent as their pictures!

(1831.

THE CHILDE'S DESTINY.

"And none did love him—not his lemans dear.”—Byron.

No mistress of the hidden skill,
No wizard gaunt and grim,
Went up by night to heath or hill
To read the stars for him;
The merriest girl in all the land
Of vine-encircled France
Bestowed upon his brow and hand
Her philosophic glance:

"I bind thee with a spell," said she,
"I sign thee with a sign;

No woman's love shall light on thee,
No woman's heart be thine!

"And trust me, 'tis not that thy cheek

Is colorless and cold;

Nor that thine eye is slow to speak

What only eyes have told;
For many a cheek of paler white

Hath blushed with passion's kiss,
And many an eye of lesser light

Hath caught its fire from bliss;